Moist Leg have shared a biting new remix of Depeche Mode‘s ‘Wagging Tongue’ – take heed to it under.
The observe – launched on Friday (July 7) – sees Moist Leg put their signature stamp on Depeche Mode’s ‘Wagging Tongue’, off their newest album ‘Memento Mori’. The remix trades in Depeche Mode’s gloom for a glitzier, extra vibrant interpretation that transforms Dave Gahan’s vocals right into a dreamier instrument.
Hearken to Moist Leg’s remix of Depeche Mode’s ‘Wagging Tongue’ under.
‘Wagging Tongue’ options on Depeche Mode’s newest providing, ‘Memento Mori’. That album – their first since bandmate Andy Fletcher’s passing final 12 months – scored a four-star evaluation from NME‘s Thomas Smith, who wrote: “To have an album of this high quality after what the band have been by means of could appear miraculous, however Depeche Mode have all the time turned turmoil, rigidity and life’s darker moments into magic. ‘Memento Mori’ is comfortably their finest album this facet of the millennium, and, most significantly, a testomony to creativity and friendship. The music world is richer for it.”
Moist Leg, then again, most not too long ago launched their stellar self-titled debut album in April 2022. ‘Moist Leg’ acquired a glowing five-star evaluation from NME‘s Rhian Daly, who wrote: “Moist Leg started life whereas Teasdale and Chambers have been driving a Ferris wheel at a pageant, the place the pair determined to provide music one other likelihood; fittingly, their debut album appears like a giddy race round a funfair, these pesky lows batted away with wit and wisecracks like a recreation of verbal whack-a-mole.”
Moist Leg’s ‘Angelica’ was topped the thirteenth finest track of 2022 by NME, and the clinched the second spot in NME‘s record of the 50 finest albums of 2022, with Andrew Trendell writing: “Witty but heat and stupidly enjoyable, this self-titled debut noticed the pair observe within the footsteps of their Domino labelmates Arctic Monkeys and Franz Ferdinand with an idiosyncratic type, character and sophistication, delivering an album that not solely lived as much as the hype, however slapped a much-needed smile again on the face of British guitar music.”
