Aphex Twin and Bonobo have been introduced as headliners at Discipline Day 2023 – discover the line-up up to now beneath and purchase tickets right here.
The musicians and DJs will prime the invoice at this 12 months’s competition in London’s Victoria Park on August 19, 2023, following a cryptic teaser final week from Aphex Twin that instructed he could be making his return on the occasion.
Arca, Kelela, Fever Ray, Jayda G, Jon Hopkins, Sudan Archives, Mount Kimbie and extra have additionally been introduced among the many first wave of acts.
Pre-sale for tickets begins this Thursday, January 26 at 11am GMT, with basic sale beginning Friday, January 27 at 11am GMT. You should buy your tickets right here, and take a look at the complete line-up beneath.
👉 FD23 has landed 👈
Pre sale stay Thursday 26 January 11am.
Basic sale stay at Friday 27 January 11am.
Be sure you signal as much as obtain entry to the pre-sale: https://t.co/8F6mnU7IwU pic.twitter.com/uydNcPGLVn
— Discipline Day (@fielddaylondon) January 24, 2023
Final week (January 19) a brand new web site titled 190823.co.uk appeared on-line, with Aphex Twin’s iconic emblem connected. The date – August 19, 2023 – coincides with the date of Discipline Day 2023 in London’s Victoria Park.
Aphex Twin final headlined the competition again in 2017, and has not launched a full-length album since 2014’s ‘Syro’. He final carried out a London present in 2019 at Printworks.
LET’S FUCKING HAVE IT AGAIN.
FIELD DAY.
19 AUGUST.https://t.co/ModZ740w79 pic.twitter.com/pQzEEzy2kv— Aphex Twin (@AphexTwin) January 24, 2023
The legendarys DJ’s current actions are sometimes primarily based round new applied sciences as a substitute, together with a workforce up with British tech firm ODDSound in 2021 to ship a pioneering new synth plugin.
Reviewing final 12 months’s Discipline Day, its first in three years, NME described the competition in a four-star evaluate as London’s “much-loved competition” that “seems to have rediscovered its groove”.
The Chemical Brothers and Kraftwerk headlined final 12 months in what NME mentioned was “certainly one of its most thrilling curations but”.
