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MJ Lenderman – ‘Manning Fireworks’ review: literary magic from Americana’s golden boy

September 5, 2024
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MJ Lenderman – ‘Manning Fireworks’ review: literary magic from Americana’s golden boy
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North Carolina native MJ Lenderman is Americana’s golden boy proper now. He’s the lead guitarist of the country-rock band Wednesday, who noticed widespread acclaim after they put out the superb album ‘Rat Noticed God’ final 12 months, and he popped up as an impactful sideman on the equally sensible Waxahatchee album ‘Tigers Blood’ early this 12 months. It’s the 25-year-old’s three albums of labor as a solo artist, although, which have generated essentially the most intrigue. He writes alt-country songs which might be each sorrowful and hilarious and sings them with a kind of warbling drawl harking back to Neil Younger or Jason Molina.

Lenderman’s breakthrough album, 2022’s ‘Boat Songs’, was raucous and grubby, its slackerist attraction bolstered by its references to WWE wrestling and Michael Jordan. Its follow-up ‘Manning Fireworks’, whereas nonetheless irreverent — there’s a memorable line about “Lightning McQueen blacking out at full pace” — is extra centered and literary, tightly full of a deep-sown unhappiness. It’s an album of character sketches, and most of them are males who’re caught and pathetic, architects of their very own loneliness. Lenderman is scathing in his birds-eye views of those males’s lives: “Some have ardour, some have goal / You have got sneaking backstage to hound the women within the circus,” he sings on the title monitor.

But these songs are deceptively empathetic. Whereas they may have fun on the expense of the divorcé who obediently fulfils each midlife disaster cliché in ‘She’s Leaving You’, or the child who begs his extra worldly girlfriend to not go away him behind whereas he stays in his room taking part in video video games in ‘Bark On the Moon’, Lenderman additionally nudges us to really feel for them. A part of this comes from his lyrical dexterity. He can shock you with a heartbreaking line, like when the protagonist of ‘Joker Lips’ sings, “You know I really like my TV / However all I actually wanna see is see you want me”. And doesn’t the title monitor’s easy remark, “You as soon as was a child, and now you’re a jerk,” encapsulate the tragedy of each asshole that’s ever lived?

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But lots of this interiority, too, comes from complexities painted musically by Lenderman’s guitar or Wednesday bandmate Xandy Chelmis’ pedal metal. Take the track ‘Wristwatch,’ for instance, the place the narrator insists he hasn’t wasted his life, isn’t on their own, by the use of boasting about his seashore house in Buffalo and his cool-guy smart-watch. The guitar on this track is gruff and in-your-face, however behind it, like an echo, sits the doleful pedal metal. Proper after he delivers his bravado-laden line concerning the wristwatch “that’s a compass and a mobile phone,” the pedal metal cries out; he’s given away. ‘Manning Fireworks’ is an album that aches for its forged of freaks and losers, and its success in strolling that line is an indication of MJ Lenderman’s richly growing voice.

Particulars

MJ Lenderman ‘Manning Fireworks’ album cover

  • Document label: ANTI–
  • Launch date: September 6, 2024



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Tags: AmericanasBoyfireworksGoldenLendermanliterarymagicManningreview
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