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Fall Out Boy – ‘So Much (For) Stardust’ review: an audacious return from theatrical rockers

March 23, 2023
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Fall Out Boy – ‘So Much (For) Stardust’ review: an audacious return from theatrical rockers
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Fall Out Boy’s eighth album, ‘So A lot (For) Stardust’, begins with delicate piano keys, cinematic string preparations and vocalist Patrick Stump singing with an indignant edge. The Chicago band’s quick-witted lyrics observe because the tempo picks up and Stump asserts, “I’d by no means go / I simply wish to be invited” proper earlier than he’s “sending my love from the opposite facet of the apocalypse”. ‘Love From The Different Aspect’ is a robust begin for the band’s first assortment of music in additional than 5 years, gently (then abruptly) pulling themselves again onto the pop-punk rollercoaster that FOB strapped themselves onto greater than 20 years in the past.

‘So A lot (For) Stardust’ marks a number of returns for the band, and never simply again to their larger-than-life roots. Stump, bassist Pete Wentz, guitarist Joe Trohman and drummer Andy Hurley tapped up Fueled By Ramen [Paramore, Meet Me @ The Altar] for the discharge, marking the primary time they’ve labored with the notorious emo label since their debut, 2003’s ‘Take This To Your Grave’. The band additionally went again into the studio with Neal Avron, who lent his manufacturing to a few of FOB largest moments, like 2005’s ‘From Underneath The Cork Tree’, 2007’s ‘Infinity On Excessive’ and 2008’s ‘Folie À Deux’.

The band’s final album, 2018’s ‘Mania’ noticed them travelling “worlds away from the sensible pop punk” of their earlier releases, even embracing EDM with their observe ‘Younger And Menace’. However with their newest assortment, evolution seems much less like diverging from their previous and extra like studying from and increasing it.

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However even the album’s heaviest moments give followers one thing surprising. Take the second observe ‘Maintain Me Like A Grudge’, which rocks in with a retro disco funk, elevating an ‘One other One Bites The Mud’ bass line with distorted guitars on the bridge. ‘Heaven, Iowa’ takes on the identical slowly constructing rattling percussion of Phil Collins‘ ‘In The Air Tonight’, earlier than Stump shouts: “Scar crossed lovers eternally/ I’m checking myself out eternally”. ‘I Am My Personal Muse’ enlists a complete orchestra because it squares as much as the identical surging strings and gritty guitar play of Led Zeppelin’s ‘Kashmir’. It’s an album brimming with audacious leaps, and so they land most of them.

Talking of audacity, there’s a track on the album that isn’t a track in any respect, however the playback of a speech given by Ethan Hawke within the 1994 movie Actuality Bites. ‘The Pink Seashell’ sees Hawke’s character dwelling on the mundanity and meaninglessness of life. The band just lately defined that their newest providing is a treatment to that mind-set, a means of discovering goal by making one thing new. Becoming, proper?

‘So A lot (For) Stardust’, brings all of the early ’00s nostalgia with out the gimmicks. It additionally doesn’t take itself too significantly: see the spoken phrase intro of “an alligator prince with crocodile tears” of ‘Child Annihilation’. A rock titan set with the duty of advancing their sound in a means that may nonetheless appease the sensibilities of lifelong followers may very well be daunting, however Fall Out Boy pull it off.

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Particulars

Fall Out Boy 'So Much For Stardust' cover

  • Launch date: March 24, 2023
  • Document label: Fueled by Ramen / Elektra



Source

Tags: audaciousBoyFallreturnreviewrockersStardusttheatrical
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