Reviews
The Hives – ‘The Death Of Randy Fitzsimmons’ review: party rock that doesn’t mess about
Elusive, faceless and admittedly, an entire thriller, it seems Randy Fitzsimmons is not with us. “He wrote all of the...
Jungle – ‘Volcano’ review: fiery sonic explosion lacks human touch
On Jungle’s fourth album, ‘Volcano’, you get the sense the band have lastly nailed down their sound. The London duo...
Sophie May – ‘Worst Thoughts In The World’ EP review: pop with an outsider defiance
When 24-year-old Londoner Sophie Might broke by means of TikTok’s algorithm in 2020, she made it clear that she wasn’t...
Miles Kane – ‘One Man Band’ review: still searching for his sound
Miles Kane has lengthy been a well-known face throughout the indie rock neighborhood. Debuting as frontman of The Rascals earlier...
Bambii – ‘Infinity Club’ review: bass-heavy dancehall and jungle bangers galore
In an interview with The Face, Bambii described the membership as an “alternate dimension”, and her music is equally transportive....
Travis Scott’s ‘Utopia’ Is an Empty Paradise
After his 2018 album Astroworld, Travis Scott reached a business steeple that allowed him to promote candles and McDonalds meals...
Travis Scott – ‘Utopia’ review: lofty concept, shaky execution
Few artists dream on the identical scale as Travis Scott. As soon as a prodigy beneath the tutelage of Kanye...
Post Malone – ‘Austin’ review: Posty gets honest about his vices
Publish Malone‘s fifth studio album, ‘Austin’ begins with a tragic love music. An acoustic guitar magnifies Malone’s vibrating vocals as...
Jessy Lanza – ‘Love Hallucination’ review: a new chapter for underground favourite
A decade into her profession, Canadian digital artist Jessy Lanza has constructed a status as a cult favorite within the...
Georgia – ‘Euphoric’ review: hits and misses from London dance-pop producer
Georgia is a agency believer within the cathartic potential of a giant, glowing pop refrain. On her third album ‘Euphoric’,...
