Reviews
EXO – ‘Exist’ review: a deceptively minimalist homecoming
On the floor, ‘Exist’ may really feel like a comparatively risk-averse launch from EXO, the boyband who gave us groundbreaking...
Rita Ora Delivers Vulnerable Ballads and Euphoric EDM-Lite on Her Most Personal Record Yet
Within the final 5 years, Rita Ora has seemingly been in all places: within the tabloids, as a panelist on...
Voice Of Baceprot – ‘Retas’ review: rock music that truly matters
Rock and metallic have at all times relished the notion of riot, however Voice Of Baceprot embody that idea on...
Palehound’s ‘Eye On the Bat’ Is An Intense Journey. You’ll Want to Ride Along
Songwriter El Kempner turns pandemic-era stress into nice songs The most recent launch from Palehound is one hell of a...
Gabe Lee Is Here to Tell His American Story in ‘Drink the River’
Gabe Lee has managed to package deal a prayer, a reality, and a dream in a single album. Drink the...
J Hus – ‘Beautiful and Brutal Yard’ review: a triumphant summer blast
It’s not a drill, J Hus actually is again. After three lengthy years of fan hypothesis, fake album teasers and...
Glaive – ‘I Care So Much That I Don’t Care At All’ review: hyper-pop star gets reflective
Over the previous three years, the chaotic, underground world of hyper-pop has turn out to be probably the most vibrant,...
Anohni Weeps Tragically and Beautifully on ‘My Back Was a Bridge for You to Cross’
Each monitor on My Again Was a Bridge for You to Cross seems like a Greek statue frozen in some...
Taylor Swift Expands Our Image of a Landmark Album With ‘Speak Now: Taylor’s Version’
When it was launched in 2010, Converse Now represented a milestone in Taylor Swift’s profession. Penned throughout her first headlining...
Dominic Fike – ‘Sunburn’ review: a sweltering and candid memoir
The street to Dominic Fike’s second album performs out like one of many dramas during which the actor, singer-songwriter, options....
