Reviews
Durand Jones – ‘Wait Til I Get Over’ review: soul man turns to raw, rugged riffs on debut solo
If this report is your introduction to the world of Durand Jones, you’ve picked a very electrifying one. The Louisiana-born...
Avalon Emerson – ‘& The Charm’ review: a shimmering evolution
Avalon Emerson is among the digital underground’s most revered names – a globally-renowned DJ and producer who, because of genre-agnostic...
Jack Harlow Takes A Stab at Authenticity and A Step Towards Maturity on ‘Jackman’
Throughout his two blockbuster albums, Jack Harlow had all the weather of pop-rap superstardom on full show — the chameleonic...
Labrinth Packs a Lifetime of Moods, Feels, and Maxed-Out Drama Into A Half-Hour of Music on ‘Ends & Begins’
Electro-pop artist's third album appears like he time-traveled right here from a a lot bleaker future, nevertheless it works The...
The National Begin Their Next Act Brilliantly With ‘First Two Pages Of Frankenstein’
The Nationwide have been so good at producing Nationwide songs for thus lengthy that it’s been straightforward to take them...
The National – ‘First Two Pages Of Frankenstein’ review: their best record in a decade
“I am going out and in of phases of exhaustion, dejection and despair, however not in the way in which...
Jessie Ware Goes Even Deeper Into the Groove on ‘That! Feels Good!’
Jessie Ware’s 2020 launch What’s Your Pleasure was one of many early pandemic’s nice revelations — a pop album that...
Indigo De Souza – ‘All of This Will End’ review: a delightful study on the human experience
Rising up in rural North Carolina, Indigo De Souza’s mother would choose her up from faculty in a truck coated...
Suga’s New Solo Album Is All About Freedom
For greater than a decade, Suga has had the world’s eyes upon him: As a member of BTS, the MC-singer-producer...
Agust D – ‘D-DAY’ review: lessons and liberation reign on final part of BTS rapper’s trilogy
Agust D – aka BTS’ Suga – opens his first studio album below the moniker in a temper that isn’t...
