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Bring Me The Horizon – ‘Post Human: Nex Gen’ review: bombastic and brilliant

May 25, 2024
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Bring Me The Horizon – ‘Post Human: Nex Gen’ review: bombastic and brilliant
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What on earth remains to be left for Convey Me The Horizon to realize? Two Quantity One albums underneath their belt. Their first BRIT Award arrived earlier this 12 months. They’ve headlined Studying & Leeds, Obtain and constantly bought out area excursions. How about breaking the web? Social media was despatched right into a frenzy when BMTH confirmed, on twelve hours’ discover, that their long-anticipated new album – and that’s being beneficiant – would lastly be with us, stealing a sizeable chunk of Twenty One Pilots’ launch day thunder within the course of.

Initially promised for launch in late 2020, ultimately confirmed for September 2023 after which delayed into the void for what felt like aeons, ‘Submit Human: Nex Gen’ is the second instalment of their futuristic ‘Submit Human’ sequence, following on from 2020’s cyber-punk behemoth ‘Survival Horror’.

With it comes the burden of their first venture because the sudden departure of producer-slash-keyboardist Jordan Fish final December. Heralded because the determine who helped inspired their evolution from scrawny deathcore teenagers into pop-metal titans, this album comes with a gentle drift of uncertainty (although he has songwriting credit on seven of the 16 tracks). Their most laborious venture thus far – the place tensions presumably reached boiling level upon Fish’s exit – had saved followers ready patiently for such an eternity; a stage of anticipation that eclipsed any of their earlier releases. Might Oli Sykes and co. reside as much as the duty?

Clocking in simply over 55 minutes, this meaty physique of labor is outstanding from high to backside, letting its frenetic power take centre stage. At instances, it’s chaos, however nonetheless structurally sound in a fashion that solely Convey Me can execute. It’s virtually like they bottled the unhinged method to 2019’s five-star LP ‘amo’, however pumped it filled with steroids this time round.

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Kicking issues off correctly with ‘Youtopia’, BMTH hit us with what’s admittedly a uncommon dose of happiness. Idealising paradise via a love track of types, Sykes retains his goals grounded from the get-go: “There’s a spot I wanna take you / However I’m not fairly there myself”, he admits, over a wonderful but murky riff that recollects Deftones’ 1998 hit ‘Be Quiet And Drive (Far Away)’.

Setting the lyrical tone for the album, ‘Submit Human: Nex Gen’ is way extra introspective than the ‘lockdown metallic’ that runs via its predecessor. Primarily his personal self-help memoir, Sykes tackles dependancy, self-doubt and pays a go to to remedy over the course of the album, delivered via the ‘future emo’ lens that he promised. “Nobody’s gonna coma and rescue me / I’m drowning in my sleep”, he cries on ‘Prime 10 Statues That Cried Blood’, whereas ‘Darkside’ is equally stark: “Six toes within the dust nonetheless respiration / Don’t give a fuck if my coronary heart stops beating.”

Maybe the closest he’s come to recapturing the stadium hook of 2014’s ‘Drown’, future emo rings more true than ever on ‘Prime 10 Statues…’. Full with glitchy sounds and math-rock interludes, the bridge proceeds to light-speed. Sludgy post-hardcore quantity ‘Limousine’ pays homage to Deftones as soon as once more and welcomes Norwegian pop innovator AURORA – not Billie Eilish, which was a purple herring – to lend her mysterious vocals to the moody second verse. “I hope you wrote all of your songs for me”, Sykes groans, maybe labouring his level to these gatekeeping metallic followers who proceed to recoil at poppier components. They’d be glad, nonetheless, to listen to some ear-piercing Slipknot-esque noises closing out this track.

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Sykes takes us to remedy on the stripped-back lower ‘N/A’ (“My title’s Oli and I’m an addict”), which options gang vocals recorded reside on their January area tour – hundreds of individuals screaming “Hey Oli, you fucking knobhead.” Trying to find a method out of the rut, he admits “My ego is just not my amigo” on ‘Misplaced’: self-aware and sincere within the thick of the feelings.

Affected by snippets and samples, the album’s most interesting joins sassy emo-core anthem ‘R.I.P. (Duskcore Remix)’ up with ‘Amen!’, introducing a funeral eulogy from Sykes – who proceeds to hilariously condemn his expensive pal to rot in hell: “Suck a dick, heretic!” Issues solely get weirder. ‘P.u.s.s.-e’, seemingly a transition quantity, abruptly descends into heavy jungle.

The basic BMTH lyrics about graves, being six toes underneath and pushing daisies are all upstaged by the haunting high line of the album nearer, ‘Dig It’: “Life is a grave / And I dig it.” Dragging a breathless album to its conclusion, the track closes out on a frankly ridiculous four-peat: guttural breakdown, piano, a minute’s silence and the momentary introduction of a brand new AI character, ‘M8’ – who’s then abruptly lower off. The tip.

Few fashionable rock bands have made an album that’s such a bombardment of sound and color. Submit-Jordan Fish, they proceed to be what they’ve all the time been: a artistic pressure that transcends the personalities of its people. It totally justifies the four-year wait, which already appears like historic historical past. Buckle up – as a result of that is nonetheless BMTH’s world, and we’ll be dwelling in it for fairly a while but.

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Particulars

  • Launch date: Could 24, 2024
  • Report label: Sony



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