Reviews
Wednesday Are Scary-Good Southern Indie-Rock Heroes on ‘Rat Saw God’
Final 12 months, Asheville, North Carolina’s Wednesday put out a group of canopy songs referred to as Mowing the Leaves...
Scowl – ‘Psychic Dance Routine’ EP review: a triumphant explosion of energy
There’s a storm brewing on the West Coast. Throughout California, a legion of hardcore punk bands are bringing their important,...
Daughter – ‘Stereo Mind Game’ review: an honest and hopeful look at the human experience
It’s been seven years since we final heard from the London folk-rock trio Daughter, again when Elena Tonra, Igor Haefeli...
Metallica Deliver Some of the Deepest, Hardest-Hitting Music of Their Career on ’72 Seasons’
Yellow and black are the colours of warning indicators, fallout shelters, and “Child on Board” placards — warnings of imminent...
Yaeji – ‘With A Hammer’ review: taking a mallet to her rage
Initially breaking by way of on a crest of daring, euphoric dance music – the fogged-glasses deep home banger ‘Raingurl’ and...
Blondshell – ‘Blondshell’ review: raw rock anthems amongst the year’s best
Some albums devastate you with subtlety, and others bust your lip – Blondshell’s very good debut album is actually the...
Melanie Martinez Is Born Again and Bold as Ever on ‘Portals’
Singer, songwriter, and producer Melanie Martinez makes glossy, darkish pop with a satiric edge and actual emotional chunk. Martinez debuted...
French The Kid – ‘No Signal’ review: goosebump-inducing drill and road rap
French The Child is paving the way in which for bilingual UK rappers. Mixing punchy East Finish rhyming with clean,...
DMA’s – ‘How Many Dreams?’ review: rave-rockers swing big
In DMA’s world, the mission is straightforward: go massive or scuttle again residence. Such has been apparent over the band’s...
Review: Fall Out Boy Show Off Their Tightest Hooks on ‘So Much (for) Stardust’
Like all of the emo and pop-punk bands that blew up throughout the ascents of these genres within the aughts,...
