Reviews
Danny Brown and JPEGMAFIA Deliver The Weirdo Gospel We Need on ‘Scaring The Hoes’
It’s been a tough few years for younger males. The position fashions supplied up in at this time’s crop of...
Royel Otis – ‘Sofa Kings’ EP review: Aussie indie upstarts let the good times roll
The pursuit of younger, dumb enjoyable defines Royel Otis. It’s uncommon they don’t appear to be they’re having heaps of...
The Debut Album From Boygenius Is Even Better Than Everyone Had Hoped
Music historical past is stuffed with supergroups, however there’s by no means been one like boygenius, which is why the...
Jimin Shows Off His Pop Strengths, And Explores Some Moods, On ‘FACE’
The BTS singer-dancer's solo debut accomplishes so much in simply six songs. The solo debut from BTS’ Jimin begins off...
Myke Towers Takes Big Risks, But Also Plays it Too Safe, On ‘LA VIDA ES UNA’
Puerto Rican rapper Myke Towers is undeniably a product of the underground, even on his most chart-friendly tasks. Since arriving...
Lana Del Rey’s ‘Did You Know There’s a Tunnel Under Ocean Blvd’ Is Her Most Soul-Searching Album Yet
Early in Did You Know That There’s a Tunnel Beneath Ocean Blvd, Lana Del Rey highlights a sermon from megachurch...
Jimin – ‘FACE’ review: BTS singer captures the turbulence of modern life in shadowy debut solo album
Minutes into Jimin’s debut solo album ‘FACE’, the sound of music rewinding cuts throughout the audio system earlier than it’s...
Fall Out Boy – ‘So Much (For) Stardust’ review: an audacious return from theatrical rockers
Fall Out Boy’s eighth album, ‘So A lot (For) Stardust’, begins with delicate piano keys, cinematic string preparations and vocalist...
6lack is Becoming a Better Man On ‘Since I Have a Lover’
Atlanta singer and rapper 6lack is so good at making a selected sort of R&B — suppose Maxwell’s neo-soul by...
Depeche Mode – ‘Memento Mori’ review: their best work this century
Depeche Mode are a band who’ve existed at extremes. On their journey from squeaky-clean popsters to different titans they’ve lived...
