Reviews
Arooj Aftab, Vijay Iyer, and Shahzad Ismaily Share a Beautiful Soundscape on ‘Love in Exile’
Love in Exile is just not jazz, regardless of that includes pianist Vijay Iyer, a heavy in that world. Neither...
NMIXX – ‘expérgo’ review: K-pop vocal powerhouses finally tap into their potential
In Latin, expérgo means to awaken. And on this launch, plainly NMIXX’s producers have lastly opened their eyes to creating...
Heartworms – ‘A Comforting Notion’ EP review: say hello to the next great cult band
For those who’re the form of freak that finds hope within the dystopian, then welcome: London doom-monger Heartworms – the...
Depeche Mode’s ‘Memento Mori’ Is a Bleak Celebration
In “Ghosts Once more,” one in every of many introspective moments on Depeche Mode’s fifteenth full-length, Memento Mori, Dave Gahan...
Black Country, New Road – ‘Live At Bush Hall’ review: a marvellous return from one of our greatest bands
Black Nation, New Highway aren’t precisely international to reinventions. The band first emerged as Nervous Circumstances, although shortly disbanded in...
Yves Tumor – ‘Praise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds’ review: spellbinding art-rock
Yves Tumor makes what may be outlined as rock music, however not a lot within the direct sonic combos that...
Lana Del Rey – ‘Did you know that there’s a tunnel under Ocean Blvd’ review: masterful, still
‘Do you know that there’s a tunnel beneath Ocean Blvd’ begins with a mistake. As a trio of backing singers...
U2 – ‘Songs Of Surrender’ review: the classics, but not as you know them
When Bono first introduced within the afterword of his 2022 memoir Give up: 40 Songs, One Story his plans to...
Unknown Mortal Orchestra – ‘V’ review: palm trees, pools and pain
When Unknown Mortal Orchestra first surfaced in 2010, it was near-impossible to search out out something in regards to the...
The Rills – ‘After Taste’ EP review: energetic indie anthems and poetic vulnerability
“From the ground, you may see two pairs of Converse,” roll the phrases of The Rills’ frontman Mitch Spencer on...
