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JoJo Siwa’s ‘Guilty Pleasure’ EP

July 17, 2024
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JoJo Siwa’s ‘Guilty Pleasure’ EP
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In early April, JoJo Siwa debuted a obviously totally different new look: She confirmed up on the iHeartRadio Awards in a black and silver superhero-esque costume with make-up that made her seem like she was in a Kiss cowl band. Gone had been her signature hair bows and her blindingly colourful outfits. For all intents and functions, Siwa was kicking off her personal Status period — even channeling the darkish palette from Taylor Swift’s sixth studio album, which has change into synonymous with rebel. It was presupposed to be an “edgier,” extra “mature” rebrand — and as she teased within the lyrics of her reintroduction single, “Karma,” she needed to show that she had advanced right into a “dangerous woman.” 

In fact, it wasn’t precisely a easy transition. Within the lead-up to “Karma,” an Auto-Tuned dance-pop quantity teeming with relationship remorse, the Dance Mothers alum confronted incessant backlash over allegedly co-opting the monitor from Miley Cyrus (she denied it). Then got here the accompanying music video, the place she emerged from the ocean like a sea monster and dry-humped one other lady. It was much less “edgy” and extra, in a broader sense of the artistic, conceptually “cringe.” 

Along with her new EP, Responsible Pleasure, Siwa strives to flip her picture and share a extra genuine, queer model of herself. Nevertheless it’s by no means been a straightforward feat for baby stars to make a radical revamp. As artists like Selena Gomez, Demi Lovato, the Jonas Brothers, and Miley Cyrus (whose Bangerz period is what Siwa cited throughout her personal transformation) transitioned into maturity, they typically opted for a sure “shock” issue and hypersexualized picture to remodel the general public’s notion of them. (Who can overlook when Cyrus twerked with Robin Thicke and a foam finger on the 2013 VMAs?)

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Nevertheless, Siwa is struggling right here. That could be partially due to a number of missteps she’s had main as much as the discharge of Responsible Pleasure. Siwa drew criticism for saying that she’d invented “homosexual pop,” a remark she ultimately walked again. With Responsible Pleasure, she doesn’t invent a complete style, however she does add to pop music’s queer canon. The five-track challenge will seemingly be featured, sampled, and remixed by DJs in homosexual golf equipment for the subsequent decade, amongst a litany of “homosexual pop” artists like Kesha, Girl Gaga, and Lil Nas X. Nonetheless, a variety of the music lacks the precise authenticity Siwa appears to crave.

Co-written by Meghan Trainor and DJ White Shadow, the EP’s title and focus monitor “Responsible Pleasure” isn’t precisely private, but it surely’s a considerably promising, bombastic electro-pop quantity that provides extra pop character in its music video, which is Siwa’s irrefutably camp “Responsible Pleasure Home.” (In it, she sports activities bedazzled teddy bears on her head and throws round energy instruments in sequin-emblazoned building put on.) “Stability Child,” nevertheless, is supposed to flaunt Siwa’s model of provocative versatility (“I like twirlin’ in a ballroom, twerkin’ within the bed room/Swap it on the day by day, I acquired steadiness, child”), but it surely lands as one thing manufactured for a RuPaul’s Drag Race problem. 

On “Yesterday’s Tomorrow’s At the moment,” Siwa makes an attempt to embrace the “carpe diem” mentality in what looks like a pop parody. “Yesterday’s tomorrow’s at this time/Earlier than you understand it, you’ll be lifeless/Or at finest, you’ll be previous and grey/Yesterday’s tomorrow’s at this time,” she sings over a confounding sea shanty melody. “Select UR Fighter” is probably the most sonically compelling monitor on the EP, as Siwa chases after a propulsive new-wave sound and displays on her missteps in selecting previous lovers with out sugarcoating the way in which she feels about them: “A few of my exes are ugly/A few of my exes are useless/A few of ’em held me like heaven/However pleasure don’t make up the ache.”

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However total, Responsible Pleasure is much less a rebrand and extra Siwa’s identification disaster — an try to claw her manner out of kid stardom like many earlier than her have wanted to navigate. For now, she’s caught within the awkward house of pleasing herself and appeasing her followers.

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