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‘RUSH!’ review: the rock’n’roll circus rumbles on

January 19, 2023
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‘RUSH!’ review: the rock’n’roll circus rumbles on
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It’s a testomony to Måneskin’s tenacity that their win at Eurovision in 2021 more and more defines much less and fewer of their story. The band’s notorious victory in Rotterdam two years in the past was considerably marred by a drug scandal (one which the band’s lead singer Damiano David refutes), however it’s an episode that now feels firmly up to now. Since their continental win, they’ve made strikes to interrupt America, cemented themselves as a stay tour-de-force and even supported The Rolling Stones. A gloriously OTT rock’n’roll circus, filled with each adoration from their followers and backlash from the naysayers, has since adopted Måneskin wherever they go.

Their message is suitably unsubtle, as David exclaimed of their 2021 winner’s speech: “Rock’n’roll by no means dies!” Alex Turner, eat your coronary heart out. They’d conflicting visions in thoughts, although: the Italian band are extra into leather-based chaps than posing as rebels with out a trigger, whereas their influences primarily boil down to each single stadium-sized rock act of the previous 40 years. Even the Godfather of Punk, Iggy Pop, noticed one thing in them, hooking up with the band for a model of ‘I Wanna Be Your Slave’ in 2021. He would later inform NME that Måneskin are a “actually sturdy band”, and that their obvious willingness to grind out a win on any platform that comes their manner – be it on Eurovision or the Italian X Issue in 2017 – offers them a “very nice edge”. A smattering of provocative stay exhibits and appearances have additionally helped the band outlive and outshine their 15-minutes of fame.

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‘RUSH!’, the band’s third album, is a snapshot of how they conquered the snobbery and have become a journey that everybody, from the do-gooders to the extra sinister figures, has wished a seat on over the previous 18 months. Unsurprisingly, it’s overcooked in locations. Along with super-producer Max Martin (Taylor Swift, Katy Perry), an array of producers come and go on the 17-track file that almost stretches to a full hour. Three of the album’s lead singles – ‘MAMMAMIA’, ‘Supermodel’ and ‘The Loneliest’ – seem tacked on on the finish relatively than woven into the material of the file, following a run of songs of their native language. The latter consists of ‘Mark Chapman’, a claustrophobic story of an obsessive, relentless power named after John Lennon’s fame-craving assassin.

However little might probably dampen the file’s spirit and spunk. ‘Gossip’, a team-up with Rage In opposition to The Machine guitarist Tom Morello, bites again on the leeches and gossipers in showbiz that make up, as they snarl, “the American dream”. On ‘Really feel’, Måneskin poke enjoyable on the “cocaine on the desk” that received them in bother within the first place, whereas on ‘Kool Children’ they dabble in ‘stylish’ post-punk and bark in a mock-British accent “we’re not punk, we’re not pop, we’re simply music freaks!” throughout a minimalist groove. The glam-rock stomp of ‘Learn Your Diary’ is difficult to withstand, too.

To have navigated such a whirlwind interval and arrived right here, not simply in a single piece however thriving, is an astonishing accomplishment. A world tour will quickly start, together with dates at arenas throughout Europe, the place these songs will combat exhausting for area subsequent to Måneskin’s customary cowl renditions – there’s a superb likelihood that a few of them would possibly win out.

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Particulars

Maneskin album artwork

  • Launch date: January 20, 2023
  • Report label: Columbia



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