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The 100 Greatest Songs of 2003: Staff Picks

April 12, 2023
in Pop
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The 100 Greatest Songs of 2003: Staff Picks
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With the pop music of the ’00s actually discovering its footing in 2002, the 12 months 2003 was a couple of new class of superstars. Certain, a few of the largest names of the late ’90s have been nonetheless round: The most important title of the TRL period was getting again within the zone after a small business downturn, whereas the MC who’d simply ascended to biggest rapper alive standing was already planning his fade to black. And a few icons from earlier within the twentieth century loved late mainstream cameos, one making one thing near a ultimate inventive assertion, and one simply on the lookout for an excuse to hit the closest bar.

However 2003 was initially in regards to the new sensations: notably a pair who’d simply spun off from best-selling flip of the century acts, and would outline solo pop superstardom for the remainder of the last decade. Justin Timberlake’s Justified from late the 12 months earlier than continued to stay as much as its title, incomes its hype by spinning off greater and larger hits effectively into 2003. And Beyoncé’s Dangerously in Love trumpeted — considerably actually, within the Chi-Lites pattern that kicked off its lead single — the arrival of a real game-changing phenomenon. Whereas pop within the ’90s had largely been outlined by teams, the rise of JT and Beyoncé made it clear that solo acts would lead the vanguard within the early twenty first century, a shift that’s solely turn into extra pronounced within the 20 years since.

And solo superstardom was hardly the only province of the highest 40 world. The 12 months was bookended by the emergence of two rappers — 50 Cent early and Kanye West late — whose simultaneous rise would develop into hip-hop’s most fascinating rivalry and binary. Whereas nonetheless recording beneath the OutKast umbrella, the duo of Huge Boi and Andre 3000 additionally splintered into solo ventures, with chart-topping, culture-changing outcomes. Even the producers have been going their very own manner: Whereas he was all the time the extra seen of the Neptunes, Pharrell scored a solo smash beneath his personal title for the primary time in 2003, proving — together with Lil Jon blasting off into one of popular culture’s most ubiquitous figures — that behind-the-decks figures instantly had star potential as excessive as anybody with a mic.

However that’s to not say that nobody was discovering energy in numbers. The rock world, nonetheless dominated by nu-metal, emo and pop-punk, continued to be band-oriented — one or two even with frontwomen, a far-too-rare prevalence in early-’00s fashionable rock. In the meantime, heroes of 2001’s New Rock Revolution like The White Stripes and The Strokes discovered larger business success with their follow-up efforts, as worldwide outfits like Jet and The Darkness adopted their instance by diving additional into rock’s archives, scoring two of the 12 months’s largest breakout hits within the course of. And Northwest indie hero Ben Gibbard thrived as a part of two very completely different teams, because the longtime frontman for Loss of life Cab For Cutie — who pushed ever nearer to the mainstream, with assist from the 12 months’s shock breakout primetime drama — and as one-half of The Postal Service, the electro-pop duo whose distant, computer-based method to music-making made their Give Up the 12 months’s most prescient alt-rock launch.

And all of this simply scratches the floor of the whole lot that was happening in music in 2003: crunk, dancehall, grime, discopunk… it was a 12 months that produced as a lot timeless pop music because it did music that might solely make sense in its specific second, all of which stays extremely satisfying to dive again into 20 years later. Don’t imagine us? Take a look at our listing of the 100 greatest songs of that 12 months — kicking off every week of 2003-themed content material right here at Billboard.com — and see if it doesn’t transfer your toes, rock your physique, and usually make you wistful and nostalgic about occasions like these.

(Songs have been counted as being from 2003 in the event that they first charted on their most related Billboard chart in 2003 — or, in the event that they by no means charted, in the event that they have been launched as a single in 2003 — until they hit No. 1 for the primary time in a later 12 months. So apologies to “The Approach You Transfer,” “Gradual Jamz,” “99 Issues,” “Poisonous,” “Maps” and lots of extra songs all technically first launched in ’03; we’ll see you all subsequent 12 months.)

  • B2K feat. Diddy, “Bump, Bump, Bump”

    B2K & P. Diddy
    Picture Credit score: Courtesy Photograph

    B2K’s lecherous harmonies and the limber Spanish guitar-meets-thunderous piano chords of this quintessential grinding anthem lured “all these horny mamas” to the dancefloor. In the meantime, Diddy performs the last word wingman along with his suave verse and infinite come-ons scattered all through the tune. “Bump, Bump, Bump” turned B2K’s career-first Billboard Scorching 100 No. 1, and whereas Omarion publicly introduced in 2019 that he’s retiring the song from his set list on account of R. Kelly’s writing and producing credit, it stays the band’s best-known hit to this point. — HERAN MAMO

  • The Rapture, “Sister Saviour”

    The Rapture’s Echoes album arrived on an avalanche of hype, on account of their underground-scorching 2002 breakout single “Home of Jealous Lovers” and affiliation with NYC label-of-the-moment The DFA. The album may not have been the defining doc of the discopunk period that some had hoped, nevertheless it had no scarcity of in-the-moment new thrills — better of all maybe being “Sister Saviour,” whose decadent synth-pop Eurosleaze reminded of a Duran Duran deep reduce in all the most effective methods, and whose “If I drink myself to dying/ Not less than I’ll know I had fun” quote captured the interval’s ethos fairly effectively. — ANDREW UNTERBERGER

  • P!nk, “Hassle”

    Whereas most of her Y2K friends felt like try-hards when dabbling in rock, P!nk’s Attempt This lead single demonstrated she was truly extra at dwelling ripping it as much as a pummeling punk riff than R&B-flavored pop. Co-writer/producer Tim Armstrong’s Van Halen-esque guitar tone and P!nk’s bluesy growl edge the listener till the refrain explodes into rigorously orchestrated chaos, marking a fearless turning level from an icon within the making. — JOE LYNCH

  • The Libertines, “Time for Heroes”

    London indie rockers The Libertines embodied disillusioned youth of the early 2000s with their devil-may-care attitudes and a punk bluster that was lacking from mainstream rock on each coasts with the anthemic “Time for Heroes.” The second single from their debut album Up the Bracket (produced by the legendary Mick Jones of The Conflict), is a snippet of what lead singer Peter Doherty witnessed on the anti-capitalist Might Day Riots in London. In his Northumberland lilt, Doherty bangs on about police violence and the best way some youngsters have co-opted the riots regardless of their social standing (“Did you see these trendy youngsters within the riot?”). Not a lot has modified within the final 20 years, which may ring as disappointing — until you think about Doherty’s prophetic line delivered over smashing drums, “And we’ll die within the class we have been born/ That’s a category of our personal, my love.” — TAYLOR MIMS

  • JC Chasez, “Blowin’ Me Up (With Her Love)”

    Whereas Justin Timberlake spent 2003 fortifying his solo stardom with Justified singles like “Rock Your Physique” and “Señorita,” JC Chasez, who earned simply as many lead vocal alternatives throughout their time collectively in *NSYNC, made his personal bid for the pop charts with the funked-up sing-along “Blowin’ Me Up (With Her Love),” which cracked the highest 40 of the Scorching 100. Though the tune’s marching-band manufacturing was a product of the tune’s utilization within the 2002 movie Drumline, its brassy basis and thumping percussion intensify Chasez’s heartthrob vocal runs. — JASON LIPSHUTZ

  • Birdman feat. Clipse, “What Occurred to That Boy”

    Ceaselessly iconic instrumentals? “What Occurred to That Boy” has entered the chat. By the use of the undisputed manufacturing blueprint of Y2K hip-hop — a.okay.a. The Neptunes — the monitor boasts cut-throat phrases from Pusha T and certainly one of Birdman’s greatest verses to this point. Sadly, the one is rumored to have prompted the decades-long beef between Clipse and Money Cash, stemming from a never-received fee from Money Cash, main Pharrell to put in writing off their camp perpetually. True or not, this year-defining monitor makes all of the drama worthwhile. — NEENA ROUHANI

  • Molotov, “Right here We Kum”

    This attitude-heavy rock-en-español anthem is, to today, a fan favourite on the Mexican band’s concert events — with followers singing the no-holds-barred lyrics on the high of their lungs, willingly adopting that rockero ego. “It’s not that we don’t care, it’s that we actually don’t give a f—okay,” they confess in the opening verse. They proceed to sing unapologetically: “We’re going to do you a strong and file an album that’s not too costly/ However we’re right here to take your cash.” — GRISELDA FLORES

  • Three Days Grace, “I Hate Every little thing About You”

    A roller-coaster journey of candy melodic vocals transitioning into screams of frustration, ”I Hate Every little thing About You” was THE tune of 2003 for describing love-hate relationships. “I hate the whole lot about you/ Why do I really like you?” belts lead vocalist Adam Gontier within the conflicted refrain. With its dazed opening guitar riffs and its offended drum beats all through the monitor, “Every little thing About You” in the end put the Canadian alt-metal band on the map and have become their breakout hit of their dwelling nation and past. — JESSICA ROIZ

  • Jay-Z, “Change Garments”

    The primary of Jay-Z’s three exemplary Black Album singles, “Change Garments” owes loads of its success to its buoyant, imperial-era Neptunes beat, one other slice of soulful bliss that’s as mechanically flawless as a Swiss watch. Hov’s easy verses about designer garments and his place atop the rap sport function the right lyrical complement. — ERIC RENNER BROWN

  • Scorching Scorching Warmth, “Bandages”

    An alt-rock single that might not have impacted because it did in another 12 months, with dingy East Coast dance-punk power assembly sunny West Coast pop-rock hookiness, tied collectively by a squawked title phrase repeated to the purpose the place the phrase basically loses all which means. “Bandages” in all probability shouldn’t work in addition to it does, however as Scorching Scorching Warmth frontman Steve Bays insists (and in the end earns), “Don’t fear, ‘coz it’s all beneath management.” — A.U.

  • Practice, “Calling All Angels”

    Train
    Picture Credit score: Courtesy Photograph

    Following the band’s 2001 monster hit “Drops of Jupiter (Inform Me),” Practice returned to the Scorching 100’s high 20 with the hovering “Calling All Angels.” The monitor requires fortitude and seeks the ear of a better energy, whereas cataloging a (sadly nonetheless well timed) listing of the world’s ills, together with anger, lack of security and shattered relationships. “Calling All Angels” additionally turn into turned an everlasting, unofficial anthem for the Los Angeles Angels baseball workforce, enjoying within the Angels’ stadium together with footage from the workforce’s practically 60-year historical past. — JESSICA NICHOLSON

  • Mya, “My Love Is Like… Wo”

    Mýa shed her girl-next-door persona to discover her extra express facet in the tantalizing “My Love is Like… Wo.” She confidently assures a person he’ll by no means want to search around for love once more as a result of hers will depart him oh-so-satisfied, with the tune’s co-writer (and producer) Missy Elliott puffing each “Wo” within the pompous refrain. Regardless that Mýa beforehand informed Billboard about how she “wasn’t assured in saying, ‘My a– is like wo,’” her potential to push the boundaries of her picture – particularly within the music video – remains to be revered. — H.M.

  • Joe Budden, “Pump It Up”

    Joe Budden has managed a 20-year profession as a profitable recording artist and media persona — however he solely ever actually had one main chart hit, with 2003’s irresistible “Pump It Up.” Driving a horns-of-Jericho Kool & The Gang pattern (courtesy of a can’t-miss Simply Blaze) and a jock jam-worthy refrain, “Pump It Up” carries all of the momentum you’d need from its title, and have become such a ubiquitous background half of popular culture so shortly that instantly you couldn’t bear in mind a time earlier than it existed. — A.U.

  • FannyPack, “Cameltoe”

    A tongue-in-cheek monitor from the improbably named FannyPack, “Cameltoe” finds three Brooklyn teenagers bemoaning the “rising epidemic” of “frontal wedgie[s]” over an insouciant electro-rap manufacturing indebted to Roxanne Shante. Certain, it’s a novelty goof, however with fantastically dumb playground taunts subbing in for lyrics (“Is your crotch hungry lady? / Cuz it’s consuming your pants”), it’s precisely the type of flash-in-the-pan single you end up savoring longer than you anticipated. — J. Lynch

  • Kenny Chesney, “No Shirt, No Footwear, No Drawback”

    The official anthem of No Footwear Nation, as Chesney’s legions of followers describe themselves, this tune kicks the sand alongside the seashore (with an nearly minute-long instrumental intro), providing frothy delights from a ukulele to a fiddle to a slide guitar, as Chesney transports us to a idyllic retreat with “no boss, no clock, no stress, no gown code.” Though the tune peaked at No. 2 on Billboard‘s Scorching Nation Songs chart (paradoxically held from the highest spot by the like-minded “It’s 5 O’Clock Someplace” by Alan Jackson and Jimmy Buffett), “No Shirt” isn’t only a nice hit, it’s a philosophy of life. — THOM DUFFY

  • David Banner feat. Lil Flip, “Like a Pimp”

    One in all southern rap’s all-time nice two-handers, “Like a Pimp” options David Banner and Lil Flip moving into the sector with the authority and chemistry of a few WWE superstars — though that’s not the type of membership or the type of tag-team they’re rapping about. Regardless, whereas buying and selling boasts over Banner’s thundering beat, the duo sound like absolute hip-hop royalty, albeit nonetheless the sort you may feasibly catch at Pappadeaux consuming steak and shrimp. — A.U.

  • Ying Yang Twins feat. Lil Jon & The East Facet Boyz, “Salt Shaker”

    Lil Jon’s first 12 months of true cultural dominance was capped by “Salt Shaker,” a growling banger and high 10 hit that returned the favor to the Ying Yang Twins for his or her visitor look on his personal crossover breakthrough earlier within the 12 months. “Shake it like a salt shaker” may end a distant No. 2 for the 12 months’s most memorable “shake it” simile hook, however “skeet a lot they name her Billy Ocean” in all probability has even “Get Low” beat within the “skeet” rankings. — A.U.

  • AFI, “Woman’s Not Gray”

    Lengthy-running hardcore punk group AFI scored an unlikely crossover hit in 2006 with the ultra-anthemic single “Miss Homicide,” however three years earlier, Davey Havok and co. achieved their biggest piece of pop craft with “Woman’s Not Gray.” The decision-and-response shout-along distills each piece of the band, from Adam Carson’s racing drums to Jade Puget’s guitar strut to Havok’s falsetto-turned-bellow, into its catchiest three minutes. “Gray” might have conjured a numerous variety of mosh pits for AFI, however that “What followwwws!” hook is pure high 40 bliss. — J. Lipshutz

  • The All-American Rejects, “Swing, Swing”

    In 2023, you’re not going to search out many 30-second intros dominated by a church organ (although we’d take ’em, no complaints right here) — however the pop-punk stylings of “Swing, Swing,” with lyrics centered round heartbreak, would nonetheless go off right now and not using a hitch. Bounce together with lead singer Tyson Ritter’s vocal inflections within the verses; dial it as much as belt out that “fiiiind a manner” within the refrain; or just experience it out till the guitar solo takes it to the bridge. — JOSH GLICKSMAN

  • Erykah Badu, “Hazard”

    The free, spread-out funk of 2003’s Worldwide Underground may not make it too many followers’ favourite Erykah Badu album, however there was no denying the tightness of lead single “Hazard.” With its southern-fried beat and sing-along refrain (“They bought the block on lock, the trunk keep locked…”) each worthy of a Kelis-Neptunes teamup, and a brilliantly deployed nod to Badu’s beloved Darkish Facet of the Moon in direction of the tip, it was as a lot of a possible radio killer as something on her first two LPs. That it solely made it to No. 82 on the Scorching 100 may nonetheless demand an eight-part podcast mini-series investigation. — A.U.

  • Electrical Six, “Homosexual Bar”

    Electric Six
    Picture Credit score: Courtesy Photograph

    “Homosexual Bar” is a garage-rock raver a couple of sexy hetero hellbent on getting it on along with his woman in — you guessed it — a homosexual bar. Whereas no self-respecting queer needs to observe straights neck in a homosexual bar, calling foul on Electrical Six for celebrating cultural tourism is lacking the purpose: Frontman Dick Valentine delivers his traces with such stentorian enunciation that he comes throughout like a ending college instructor who dropped acid and by no means seemed again. The one factor these Detroit rockers are severe about is having a silly good time. — J. Lynch

  • Dizzee Rascal, “I Luv U”

    Earlier than he was an indie weblog darling, then a UK hitmaker, and now an elder statesman too usually mired in controversy, Dizzee Rascal was a teenage rapper with a clanging grime sound and a narrative to inform. “I Luv U,” an unpleasant and fascinating back-and-forth about teen being pregnant and ensuing disputes over parental custody (Jeanine Jacques performs Dizzee’s counterpart on the monitor), turns real-life harm into scintillating theater — he’s hard-nosed and pig-headed all through, and doesn’t exit the confrontation unscathed. — J. Lipshutz

  • Linkin Park, “Faint”

    Chester Bennington makes it abundantly clear within the earsplitting refrain of this monster Meteora single that he “gained’t be ignored,” and this tune can’t go unnoticed both, with its piercing intro, breakneck breakbeat and heavy guitars. “You’re gonna take heed to me, LIKE IT OR NOT!” the late frontman wails in the course of the bridge (and he’s completely proper). – KATIE ATKINSON

  • Floetry, “Say Sure”

    This gradual jam staple is a wonderfully executed union of tune and spoken phrase, the latter now a virtually forgotten artform in mainstream music. Arriving because the second single from the U.Ok. R&B duo’s critically acclaimed debut album Floetic, “Say Sure” embodies a model of unstated love and lust, most notably evident in Marsha Ambrosius’ passionately delivered refrain capper, “You make me so so, so so so…” earlier than reaching a melodic climax over the tantalizing outro. — N.R.

  • Sean Paul, “Like Glue”

    Teased on the finish of the video for his Scorching 100-topping “Get Busy” smash, “Like Glue” proved a seamless continuation of Sean Paul’s profitable streak when it was launched as his follow-up single. A breathless barrage of sung-rapped hooks laid over a Tony “CD” Kelly manufacturing that buzzes, hums and chirps like an animated Disney refrain, “Like Glue” was (appropriately) one of many stickiest issues on pop radio in the summertime of 2003 — and the uncommon dancehall hit that season that didn’t even want the Diawli riddim to entrance listeners. — A.U.

  • Maná, “Mariposa Traicionera”

    It’s stunning that Maná didn’t get their first No. 1 on the Scorching Latin Songs chart till 2003, however it’s no shock that they achieved it with this tune. One of many Mexican band’s greatest songs, the monitor immediately turned a timeless hit with highly effective lyrics that sing to the untrue. “You’re like butterfly, you fly, going from mouth to mouth/ Simple to those that provoke you,” Fher Olvera sings, palpably harm, over an equally melancholy acoustic guitar melody. — G.F. 

  • The Chicks, “Travelin’ Soldier”

    The lyrics might reference Vietnam, however in 2003, The Chicks’ bluegrass tearjerker was a nod to present affairs as a era of younger individuals bought their first lived expertise of conflict, and lacking these away combating in it, when the U.S. invaded Iraq after the 9/11 assaults. So too did the stirring ballad soundtrack a associated political entanglement, when Natalie Maines introduced, “We are not looking for this conflict, this violence, and we’re ashamed that the President of the USA is from Texas” throughout a March 2003 efficiency, a declaration that infamously resulted in the overwhelming majority of nation radio stations pulling “Travelin’ Soldier” — then sitting at No. 1 on Scorching Nation Songs — from the air. — KATIE BAIN

  • Juanes feat. Nelly Furtado, “Fotogrofia”

    Topping each the Scorching Latin Songs chart and Latin Airplay tally for 5 weeks, “Fotografía” was a type of songs that Spanish-language radio stations had on repeat in 2003. It made sense: The tune is a beautiful pop ballad powered by brilliant electrical guitar that serves as a canvas for each Juanes and Nelly Furtado’s lilting vocals, as they sing about preserving one another’s pictures even after they’re not collectively. Timeless lyrics a couple of subject we are able to all relate to. — G.F.

  • Wayne Marvel, “No Letting Go”

    This heartfelt love tune from Jamaican artist Wayne Marvel is well-served by its infectious handclap beat — our No. 48 and No. 9 listing entries under additionally show simply what a 2003 MVP this particular riddim was. However the actual star is Marvel’s silky-smooth supply, earnestly promoting the lyrics about “actually and actually” giving in to the love of that particular somebody. – Ok.A.

  • No Doubt, “It is My Life”

    This 12 months discovered No Doubt at a crossroads: post-Rock Regular, pre-Stefani’s first solo effort, Love.Angel.Music.Child, the band wanted a viable holding sample — so it zeroed in on compilations, introducing The Singles 1992-2003 with this Discuss Discuss cowl. With its synth-pop underpinnings and plaintive vocal line seemingly molded to Stefani’s strengths, it was a deft selection: a nod to No Doubt’s ’80s influences that someway sounded totally new and unique, incomes a Grammy nomination and (for its cinematic video) a pair of MTV VMAs. — REBECCA MILZOFF

  • Child Bash feat. Frankie J, “Suga Suga”

    Baby Bash
    Picture Credit score: Courtesy Photograph

    “Suga Suga” clocks in at solely 4 minutes, however its hypnotic guitar lick exists exterior of time – take heed to the tune, and it feels prefer it may’ve been enjoying, on loop, for the 20 years because it got here out. And Child Bash’s awestruck wonderment (to an impossibly cool flame? to a coveted illicit substance? who is aware of) is equally everlasting. — E.R.B.

  • Easy Plan, “I might Do Something”

    Easy Plan burst onto the pop-punk scene with No Pads, No Helmets… Simply Balls, and the band turned an prompt success with “I’d Do Something.” The tune seamlessly blended the relatability of teenage angst and post-breakup desperation with wildly catchy hooks — in addition to spiked-gel hair, studded leather-based bracelets and snarky graphic tees. Actually nothing captured 2003 male type like Easy Plan, and the nostalgia of all of it has allowed it to face the check of time. — RANIA ANIFTOS

  • Alejandro Sanz, “No Es lo Mismo”

    “No Es lo Mismo” (It’s Not the Identical) is a pop-rock tune with hip-hop undertones that, due to its potent lyrics, turned a staple when launched from Sanz’s seventh studio album of the identical title. With witty verses the place he makes use of same-sounding phrases that imply the exact opposite, Sanz is vocal about human rights. “Vivir es lo mas peligroso que tiene la vida” (to stay is essentially the most harmful factor life has), he chants. The trendy-day protest anthem gained the 2004 Latin Grammy for file and tune of the 12 months. — J.R.

  • The Black Eyed Peas, “The place Is the Love”

    This was the Peas’ first tune to function Fergie as an official member. It was additionally their first vital hit – high 10 on the Scorching 100, a pair of high-profile Grammy nods. The tune touches on lots of the hot-button problems with the early 2000s, from terrorism to the conflict in Iraq (“A conflict’s happening however the purpose’s undercover”). Like Sly & the Household Stone’s 1969 basic “On a regular basis Individuals,” it takes advanced points and places them in language so easy even a toddler may perceive: “Whenever you hate, you’re certain to get irate.” – PAUL GREIN 

  • Dashboard Confessional, “Palms Down”

    Chris Carrabba wasn’t too distant from turning 30 when his group Dashboard Confessional launched the lead single to A Mark, A Mission, A Model, A Scar, however “Palms Down” is brimming with fizzy teenage power — not simply because the tune is a couple of first kiss, however as a result of he’s so hopeful about that first kiss that he fears it’d kill him. Whereas the lyrics to “Palms Down” seize an age-appropriate model of melodrama, so does the tune itself: racing by means of breathless verses, wrapping round a sugary hook, then floating into the clouds when the kiss lands — highschool euphoria, a number of years earlier than Euphoria. — J. Lipshutz

  • Nelly, Diddy & Murphy Lee, “Shake Ya Tailfeather”

    When tapped for the Dangerous Boys II soundtrack, Nelly, Diddy and Murphy Lee turned a staple sports activities stadium chant into an irresistible banger. It’s practically 5 minutes (and the “Battle Chant” has its problematic roots), however with three playboys sharing high billing, it appears like a Friday evening spent ping-ponging between events that’s over simply as quickly because it began. Better of all, “Tailfeather” took the query “Is that your ass or your mama half reindeer?” to No. 1 on the Scorching 100, and to a 2004 Grammy win for greatest rap efficiency by a duo or group. — J. Lynch

  • Blink-182, “Feeling This”

    Whereas Blink-182’s self-titled 2003 album expanded the band’s sonic and emotional palettes far past thee-chord rippers and d–okay jokes, “Feeling This” was a great transition single — packing the power and brio of their early hits, however with a musical sophistication to make it clear they weren’t enjoying high-schoolers anymore. By the point the tune dissolves right into a Seashore Boys-like spherical of traded-off a cappella vocals, it was clear the trio had the expertise to stay on gone the American Pie period, even when in addition they had the combustibility to in the end make such longevity a longshot. — A.U.

  • Toby Keith & Willie Nelson, “Beer for My Horses”

    Keith bought a co-sign from nation music legend Nelson on this collaboration, which cheers on justice towards lawbreakers and evildoers — a notion that resonated with many in a nation nonetheless reeling from the affect of the terrorist assaults of Sept. 11, 2001. “It’s time the lengthy arm of the legislation put a number of extra within the floor/ Ship ’em all to their maker and he’ll settle ’em down,” they boast, celebrating with libations for the victors and their steeds. “Beer” was a six-week Billboard Nation Airplay chart-topper. The pairing of two music stars, a singalong melody and a bombastic refrain has made this monitor endure. — J.N.

  • The Diplomats, “Dipset Anthem”

    “Dipset Anthem” is titled for the entire Diplomats crew, nevertheless it’s actually a showcase for Juelz Santana — then nonetheless best-known because the scene-stealer from Cam’Ron smashes “Hey Ma” and “Oh Boy” — as he scopes potential territory and plots his massive transfer. He may be standing alone and watching the partitions like Scarface, however his thoughts isn’t enjoying tips on him: With all of the cockiness on the earth and an enormous pattern from Sanchez’s “One in a Million” to additional gasoline him up, it definitely seems like he’s about to take over. — A.U.

  • Ratatat, “Seventeen Years”

    This bizarre instrumental ditty from Brooklyn oddballs Ratatat defies most norms of fashionable music — unnecessarily loud, meandering and missing something resembling a traditional pop hook. However as an irreverent, tuneful inside joke — one which follows within the custom of bands just like the Jon Spencer Blues Explosion and Ween and helps pave the best way for early electro-house acts like Justice and Simian Cellular Disco — Ratatat delivers a catchy, wild experience, foisting shreds of soiled riffs and drum machine beats into the earlobes of listeners who don’t take themselves too severely. — DAVE BROOKS

  • Beyoncé, “Me, Myself & I”

    Beyoncé
    Picture Credit score: Courtesy Photograph

    The third hit single from Beyoncé’s debut solo album Dangerously in Love additional cemented the inspiration for her post-Future’s Youngster future as a visionary singer, songwriter and producer. This soulful, mid-tempo missive about discovering the internal energy to depart a dishonest associate nonetheless hooks you proper from the beginning as Beyoncé’s lilting, harmonizing vocals invite “All the women, if you happen to really feel me, assist me sing it out.” The tune’s refined artistry and hard-won, empowering lesson — “Me, myself, and I/That’s all I bought ultimately” — continues to resonate. — GAIL MITCHELL

  • t.A.T.u., “All of the Issues She Stated”

    The promotional components behind t.A.T.u. might have been a just about unparalleled mixture of wildly forward of their time and abhorrently regressive, however nobody wants be conflicted over their spellbinding breakout hit, “All of the Issues She Stated.” A deliriously over-the-top love tune with feelings and synth hooks each pushed dangerously into the purple, the tune would really feel equally at dwelling amidst the irony-free theater-pop of a long time earlier or the confessional emo-pop of a long time later; both Bonnie Tyler or Halsey may’ve completely killed a canopy. — A.U.

  • Beck, “Misplaced Trigger”

    This wonderful, melancholy gem — taken from Beck’s Grammy-nominated 2002 album, the appropriately named Sea Change — was launched as a promotional single, turning into a minor hit on Billboard‘s Various Airplay chart in 2003. This acoustic, shimmering magnificence confirmed a deeper, extra contemplative facet of Beck that drew upon emotions of loneliness, remorse and resignation and left his sonic experimentation quickly behind. He’s by no means sounded so achingly poignant earlier than, in a tune that also resonates right now. — MELINDA NEWMAN

  • Sheryl Crow, “The First Minimize Is the Deepest”

    A easy acoustic guitar duet, with only a trace of strings, introduces Crow’s unabashed declaration, “I might have given you all of my coronary heart/ However there’s somebody who’s torn it aside,” and we’re led into this story of a heartbroken soul who will “attempt to love once more.” Written by Cat Stevens in 1967 and a No. 21 hit on the Scorching 100 a decade later for Rod Stewart, Crow’s model of “The First Minimize Is the Deepest” builds with John Shanks’ slow-burning, big-ballad manufacturing right into a vocal tour de power, which she took to No. 1 on Billboard‘s Grownup Various Airplay chart for 4 weeks in 2003, in addition to to No. 14 on the Scorching 100. — T.D.

  • Eminem, “Superman”

    This catchy anti-love hit off The Eminem Present climbed all the best way to No. 15 on the Scorching 100, fourth of the 5 high 20 singles the ultimately Diamond-certified album produced. We are able to all agree the extra misogynistic lyrics have definitely not aged effectively, however what has endured is one line specifically, the topic of which nonetheless fuels what appears like a unending feud: “What, you Mariah? Fly by means of twice.” It was the primary of two hints on the album that the rapper dropped about their rumored romance – full with a likeness of Mimi within the video — nevertheless it kicked off what’s now 20 years of beefing between the 2, which additionally reeled in Nick Cannon, Carey’s now ex-husband, for 10 years. — ANNA CHAN

  • The Shins, “So Says I”

    The considerate indie power-pop stylings of The Shins made the band a sensation on their 2001 debut album Oh Inverted World, and the even brighter (and maybe bigger-budget) productions introduced them even nearer to the mainstream. The searing guitars, cymbal-heavy drums and yelped vocals of lead single “So Says I” took a lyric that abstractly compares communist and capitalist societies and made it into one thing that might plausibly soundtrack a spring break celebration scene on a teen TV drama. (OK, perhaps solely Gilmore Women. However nonetheless.) — A.U.

  • Chingy, “Proper Thurr”

    St. Louis slang went worldwide with this No. 2-peaking Scorching 100 smash — caught within the runner-up slot for 5 nonconsecutive weeks, 4 of these behind a choose you’ll see a lot, a lot increased on this listing. Chingy launched his regional vernacular – or “Chinglish,” as he referred to as it in a 2018 Billboard interview – within the bouncy, Trak Starz-produced debut single, launching him to rap stardom at 23 years outdated and setting the stage for a string of three consecutive Jackpot high 5 hits. – Ok.A.

  • Hilary Duff, “So Yesterday”

    The Lizzie McGuire star reintroduced herself as greater than only a Disney Channel sweetheart when she unveiled her fittingly titled debut 2003 album, Metamorphosis. As its standout single, “So Yesterday” captured the then-15-year-old Duff’s soothing vocals over a breezy pop-rock melody, encouraging youngsters throughout the nation to let go of an outdated relationship that feels “so yesterday,” and launching herself as pop’s latest it lady. — R.A.

  • Spoon, “The Approach We Get By”

    It was by no means completely clear if “The Approach We Get By,” launched as a 2003 single from the band’s acclaimed 2002 album Kill the Moonlight, was a celebration or a cynical takedown of post-millennium slackerdom. Like a lot of Spoon frontman Britt Daniels’ tracks, “The Approach We Get By” is extra a intelligent portrait of Era X getting into its early-to-mid-thirties than it’s a commentary on the apathy and disconnectedness of younger individuals, with traces like “we imagine within the sum of ourselves” delivered deadpan over a hopping piano melody, drenched in shrill catchiness and obscure Iggy Pop references. It’s not nice, nevertheless it’s a residing. — D.B.

  • Zoé, “Soñé”

    The 2003 album Rocanlover is dwelling to a few of Zoé’s most emblematic tunes, together with the closing monitor “Soñé” (I dreamed). Vocalist León Larregui penned it with a hopeless romantic in thoughts, narrating the story of an individual who’s consistently pondering and dreaming about that particular somebody. “I wish to be air/ And that you simply breathe me perpetually/ Nicely I’ve nothing to lose,” the melodramatic lyrics proclaim. Its synth-packed, dreamscape-like melodies have maintained a recent sound all through the years — as has the acoustic model with Good day Seahorse! — J.R.

  • DMX, “X Gon’ Give It to Ya”

    DMX
    Picture Credit score: Courtesy Photograph

    If you will discover a tune choice that extra instantaneously energizes the room, we’re all ears. “This rap s–t is mine, motherf–ker!” DMX shouts, mere seconds after barking and growling at his listeners — and proceeds to rap his face off for the following three and a half minutes, with a refrain that sounds equally excellent whether or not chanted in a crowd-packed venue or blasted from floor-shaking audio system in your house. His declaration holds up 20 years later, simply as it’s going to 20 extra from now and 200 after that. — J.G.

  • Loss of life Cab for Cutie, “Title and Registration”

    In pop music, vehicles usually symbolize freedom and liberation. Not for Loss of life Cab for Cutie, whose prosaically gutting “Title and Registration” stays one of many grimmest vehicle odes in rock historical past. With methodical lyrical detachment, Ben Gibbard establishes the awful scene: a brokenhearted narrator rifling by means of his glove compartment for a doc, discovering “souvenirs from higher occasions” and arriving on the place “the place disappointment and remorse collide.” Possibly society will get round to renaming the rattling factor certainly one of lately. — E.R.B.

  • Lumidee, “By no means Depart You (Uh Oooh, Uh Oooh)”

    Image this: you’re on the membership in 2023. You hear a wildly fashionable dancehall riddim. Is it Wayne Marvel, Lumidee, Sean Paul or Nicki Minaj? Nicely, first it was “Diwali Riddim” by Lenky, earlier than morphing into the objectively pitchy but eternally catchy and unshakeable “By no means Depart You,” from East Harlem singer Lumidee. From the graffiti-coated white tees, bamboo earrings, seven-sizes-too-big denim and bucket hats, the accompanying video that includes rapper Busta Rhymes serves as a historic artifact, perpetually immortalizing practically each praise- (and cringe-) worthy early-’00s pattern. — N.R.

  • Coldplay, “The Scientist”

    Regardless of its methodical title, “The Scientist” has little or no to do with science. This beloved piano ballad off of Coldplay’s A Rush of Blood to the Head charts a course out of the “numbers and figures” that Chris Martin’s protagonist can’t appear to cease excited about, and “again to the beginning” of a relationship at its finish. It’s easy, sentimental and emotionally resonant — the whole lot you may hope to count on  from a love tune in 2003 — whereas additionally sustaining a indifferent passivity that makes “The Scientist” all of the extra attention-grabbing to listen to 20 years later. — STEPHEN DAW

  • Panjabi MC, “Mundian to Bach Ke” / “Watch out for the Boys”

    British-Indian producer Panjabi MC completely executed his signature fusion of bhangra and hip-hop on his single “Mundian to Bach Ke,” initially launched in 2002 The hypnotic ting-titing-titing-titing tune of the tumbi and dhol sample blended with the file scratching and bassline pattern of Busta Rhymes’ 1998 hit “Flip It Up” (Remix) / “Fireplace It Up” (and its Knight Rider-borrowed hook) unfold like wildfire all through the globe. However the 2003 “Watch out for the Boys” remix with Jay-Z complemented its one-of-a-kind sonic DNA and catapulted the tune to new heights (together with the Scorching 100’s high 40), cementing it as one of many 12 months’s most distinguished cross-cultural hits. — H.M.

  • Celine Dion, “I Drove All Evening”

    This was the third vital interpretation of this sturdy Tom Kelly/Billy Steinberg tune, following variations by Roy Orbison (recorded in 1987, a 12 months earlier than his dying) and Cyndi Lauper (1989). Dion’s towering recording of the pressing pop evergreen was featured in a Chrysler business, for which the automaker paid the diva a reported $14 million. The advert was nice publicity for Dion’s single, her One Coronary heart album and her Las Vegas present. There was only one drawback with it: It didn’t promote many vehicles and was quietly pulled. – P.G. 

  • Good Charlotte, “The Anthem”

    OK, so perhaps Good Charlotte on the peak of their pop-crossover powers weren’t the very best messengers for an anti-conformity screed that purported to talk for the losers of the world. However they have been precisely the fitting band to smack MTV audiences with a completely massive-sounding pop-punk singalong that kicked off with a stuttering hip-hop break, quoted Jay-Z within the refrain, made an affordable masturbation joke on the bridge and ended with an simple whoa-oh call-and-response. As a result of even the world’s truest insiders nonetheless often have to shout about how they don’t wanna be similar to you. — A.U.

  • Yeah Yeah Yeahs, “Date With the Evening”

    “Date With the Evening” was the primary official single from Yeah Yeah Yeahs debut album Fever to Inform, and a boisterous first impression for anybody exterior of the New York or London indie rock scenes. From Nick Zinner’s grungy guitar riff to Brian Chase’s first knock on the drums, “Date With the Evening” is a relentless rock banger that builds rigidity for a relentless two and a half minutes. Joined by Karen O’s earsplitting vocals and sexual innuendos, the monitor is a chaotic, sensual, cathartic exultation of pure ecstasy. Whether or not you have been in sweaty golf equipment watching Karen O throw herself throughout sticky levels in 2003 or the tune smashes its manner into your earbuds for the primary time in 2023, it’s unimaginable not to really feel the urgency to stand up in your toes and thrash. — T.M.

  • Lil Kim feat. 50 Cent, “The Magic Stick”

    Prompt combustion. That’s what occurred when two of hip-hop’s most enjoyable and formidable skills joined forces on this seductive monitor, aided by a percolating beat and sexual prowess-touting lyrics. “When it come to intercourse, don’t check my abilities/ ‘Trigger my head sport have you ever head over heels,” a assured Lil’ Kim sensuously raps as she stands toe-to-toe with then-newcomer 50 Cent. Lengthy earlier than Cardi B’s “WAP” with Megan Thee Stallion, “Magic Stick” helped Kim lay the hip-hop blueprint for ladies’s sexual empowerment. — G.M.

  • Shakira, “Que Me Quedés Tu”

    It’s crystal clear that Shakira has a knack for writing heartbreak songs that actually tug at your heartstrings and make you’re feeling for the Colombian star. “Que Me Quedes Tú” isn’t any exception. It’s truly a masterclass in songwriting, with highly effective lyrics about all of the issues she’s keen to sacrifice earlier than shedding the love of her life. On this quintessential can’t-live-without-you love tune, which begins off with a sitar-like riff that immediately hooks you, Shakira boldly declares, “If I’ve you, I’ve life.” — G.F.

  • Liz Phair, “Why Cannot I”

    Liz Phair
    Picture Credit score: Courtesy Photograph

    When the patron saint of guitar women who DGAF launched this unabashedly poppy monitor (and eventual high 40 Scorching 100 hit), it wasn’t precisely greeted warmly: critics lambasted it as at greatest “primary,” at worst a “cookie-cutter” facsimile of what Avril and Michelle have been doing on the time (it did have the stamp of pop-punk producers The Matrix throughout it). However ultimately, these strong pop underpinnings might account for why it’s aged surprisingly effectively — and 20 years later, with artistic left-turns extra usually applauded than antagonized, loads of Phair followers fortunately wave the “Justice for ‘Why Can’t I?’” flag. — R.M.

  • 50 Cent feat. Nate Dogg, “21 Questions”

    50 Cent’s breakout LP was referred to as Get Wealthy or Die Tryin’, however the album’s second single approaches intimacy from the attitude of somebody already wealthy sufficient to be cautious of gold diggers. “If I went again to a hoopty from a Benz/ Would you poof and disappear, like a few of my pals?” 50 queries, including a touch of vulnerability to his gangster persona. In the meantime, hip-hop hook GOAT Nate Dogg sing-songs, “It’s simple to like me now, however would you like me if I used to be down? And out?” over the tune’s stuttering guitar riff — comprised of a pattern of Barry White’s 1978 panty dropper “It’s Solely Love Doing Its Factor.” — Ok.B.

  • Michelle Department, “Breathe”

    For somebody who spent a lot of her earlier hit singles venting her heartbreak and/or frustration, maybe the time actually had come for Michelle Department to remind herself to take a beat. In any occasion, “Breathe” was each essentially the most cathartic and essentially the most centering Minivan Rock staple of Department’s ’00s hitmaking run, with a refrain that appears like the sunshine bursting by means of a long-dark room — as immediately illustrated by the tune’s video, which grants the singer-songwriter the discharge she appears to so desperately want. — A.U.

  • Freeway feat. Jay-Z and Beanie Sigel, “What We Do”

    The “Throughout a hundred and tenth Road” of ’00s hip-hop, “What We Do” is certainly one of this century’s most soulful portraits of internal metropolis of us doing what they do to get from sooner or later to the following — robbing, hustling, dealing, grinding — whereas doing no matter they will to maintain their souls straight. The rappers in query are so pressed that they by no means even have time to interrupt for a refrain; the one interjected chorus comes courtesy of a breathless (and breathtaking) Inventive Supply pattern that admits the wrongfulness of the trio’s actions, however doesn’t specific remorse or express regret. In spite of everything, you don’t know what you’ll do till you’re put beneath stress. — A.U.

  • Maroon 5, “Tougher to Breathe”

    Wanting again, it’s laborious to imagine Maroon 5’s Songs About Jane took such a very long time to interrupt out — it was launched in June 2002 however didn’t hit the Billboard 200 for the primary time till Might 2003 (or attain its eventual No. 6 peak till Sept. 2004). It ought to’ve been apparent from the primary take heed to the pulverizing opening drums of lead single “Tougher to Breathe” that massive issues have been afoot right here, and even moreso by the point of the George Michael-worthy panting and growling of the refrain. Regardless, after one pay attention by means of Maroon 5’s “Matchbox Twenty, however horny” method, if you happen to have been informed that it will be just the start of a 20-year run of hits from the pop-rock outfit, you’d in all probability go, “Yep, sounds about proper.” — A.U.

  • Beyoncé feat. Sean Paul, “Child Boy”

    “Child Boy” is all about lust, child! With Dangerously in Love, her first solo album after Future’s Youngster, 21-year-old Beyoncé needed to show she was all grown up — and “Child Boy” did simply that. With Bey’s breathy R&B vocals and moans and a dancehall aptitude (largely because of its Sean Paul help), the collaboration was so effortlessly horny and fascinating that it topped the Scorching 100 for a powerful 9 weeks in 2003. — R.A.

  • Radiohead, “There, There”

    Even staunch defenders of Hail to the Thief will probably admit that the 2003 album is Radiohead’s most discombobulated album, with alternate tune titles, electro-jazz freakouts that lead into piano ballads, thinly veiled political statements and an entire lot of fuzzed-out instrumentation. A lot of the noise works and a few doesn’t, however “There, There” cuts by means of all of it. One of many band’s most magnetic singles ever, it’s a lurching rocker with haunted harmonies meant to evoke unavoidable temptation, with a sinister underbelly that’s totally realized, from the distorted guitar solo to that iconic double drum fill. — J. Lipshutz

  • Jarabe de Polo, “Bonito”

    Seventeen years earlier than his passing, Spanish singer/songwriter Pau Donés of Jarabe de Palo launched “Bonito” — an up-tempo, feel-good different monitor charged with all kinds of optimistic affirmations much-needed in 2003, right now, and past. “Bonita la vida, respira, respira, respira,” goes a part of the motivational lyrics, which remind followers about the great thing about life, the significance of respiration — and above all, having fun with the easy issues in life. Donés died on June 9, 2020, on account of most cancers he battled since August 2015, however ”Bonito” endures one of many frontman’s many timeless tracks. — J.R.

  • Missy Elliott, “Cross That Dutch”

    The Timbaland-co-produced lead single from This Is Not a Take a look at! is, within the grand Missy custom, one million various things: a paean to hip-hop’s godfathers (with lifts starting from Battle to De La Soul and A Tribe Referred to as Quest) firmly inserting Elliott of their line of succession; a tribute to Aaliyah; a handclap-powered rumpshaker; a showcase for Elliott’s lyrical gymnastics; and naturally a automobile for a wild Dave Meyers video (Missy as scarecrow and Godzilla? Certain!). And like every Elliott basic, all of it someway provides as much as a monitor that also feels futuristic and visionary — and is a long-lasting dancefloor magnet. — R.M.

  • The Darkness, “I Consider in a Factor Referred to as Love”

    Ask Dan Hawkins, lead guitarist of British rock revivalists The Darkness, and he’ll let you know that the band’s world breakout hit “I Consider In A Factor Referred to as Love” began with a easy query: “Why don’t we simply write the stupidest tune ever?” Certainly, these on the lookout for a rigorously thought-out cultural thesis might discover “Factor Referred to as Love” considerably missing. However this extremely enjoyable rock tune embodies the maximalist, tacky, campy power that the early ’00s dropped at all of our lives, from the ridiculous falsetto refrain all the way down to the chunky guitar riffs to the nonsensical lyrics, right here for a great time solely. — S.D.

  • Foo Fighters, “Instances Like These”

    Foo Fighters
    Picture Credit score: Courtesy Photograph

    The propulsive, melodic monitor from Foo Fighters’ fourth studio album, One by One, is a lyrically contemplative, redemptive story about rising from life’s ashes to be taught to stay and love once more — although there’s an anxious tinge to the tune that makes the hoped-for grace removed from a sure achievement. Bolstered by certainly one of Dave Grohl’s extra restrained-but-passionate vocals and the late Taylor Hawkins’ aggressive drumming, “Instances” reached No. 5 on each Billboard’s Various Airplay and Mainstream Rock charts and have become a spotlight of the band’s stay exhibits. — M.N.

  • Kelly Clarkson, “Miss Unbiased”

    It was staid ballad “A Second Like This” that launched Clarkson’s profession instantly following American Idol in 2002, nevertheless it was this feisty pop monitor — the primary single from Clarkson’s 2003 debut album, Grateful — that turned Clarkson’s first world hit, additionally reaching the highest 10 on the Scorching 100. The monitor turned an anthem for self-sufficient, strong-willed girls who have been additionally courageous sufficient to face their romantic trepidations. It’s the sheer perspective in Clarkson’s supply that retains traces like “By altering her misconceptions/ She went in a brand new route” inspiring 20 years later. — J.N.

  • Alan Jackson & Jimmy Buffett, “It is 5 O’Clock Someplace”

    There’s a great purpose they name it “glad hour.” Jackson opens this rollicking ode to pushing the clock arms to quitting time and ordering “somethin’ tall an’ robust” with good wordplay from songwriters Jim “Moose” Brown and Don Rollins — “I’m getting paid by the hour, an’ older by the minute” — till Buffett joins after the bridge for some of the impressed duets in nation music. With its strong lock on the highest of Scorching Nation Songs for eight weeks in the summertime of 2003, it’s no surprise that the office kiss-off phrase “It’s 5 O’Clock Someplace” has turn into an everlasting a part of fashionable tradition. — T.D.

  • Dido, “White Flag”

    The tacky video for this world hit could also be firmly rooted in 2003, however lyrics similar to “I’m in love and all the time might be” seamlessly translate throughout a long time. In fact, “White Flag” stays a pop ballad at its core — and the actually stellar ones appear to have little hassle making their approach to the following era. Nonetheless, with its interspersed chimes and regular thumping manufacturing all through, a creator in right now’s age might entertain the concept of a mid-song style shift. We’ll persist with the unique, nonetheless, lest we be disadvantaged of the constructing bridge that delivers us to that ultimate, climactic refrain. — J.G.

  • Snoop Dogg feat. Pharrell & Charlie Wilson, “Stunning”

    It seems like summer time and is a right away temper lifter – two tell-tale indicators of a 2003 hit single. Snoop Dogg and Pharrell delivered a basic with “Stunning,” a sunshine-drenched jam centering across the candy and easy Charlie Wilson-assisted rrefrain, “I simply need you to know/ You’re my favourite lady.” Amidst The Neptunes’ unmistakably Y2K manufacturing, the duo galavant throughout Brazil’s lush panorama, paying homage to the South American hotspot and its plethora of equally stunning girls in a Chris Robinson-directed visible that had us all fiending for a one-way ticket. The begin to a string of collabs from the long-lasting duo, Snoop and Pharrell additionally scored hits along with “Let’s Get Blown” and the 2004 Scorching 100-topper “Drop It Like It’s Scorching.” — N.R.

  • Linkin Park, “Numb”

    Whereas the band’s nu-metal contemporaries bought caught within the undertow of sludgy riffs and shallowly aggressive lyrics, Linkin Park discovered genre-leading success with its songwriting – and sophomore album Meteora‘s poignant nearer is its masterpiece. Turntables, samplers, and piano chords propel the facility ballad’s unsettling, pressing verses ahead earlier than “Numb” erupts with certainly one of rock’s most timeless choruses. However that’s all simply window dressing for singer Chester Bennington’s common phrases about exhaustion, conformity, and failure, delivered through his profession’s defining vocal second. — E.R.B.

  • Matchbox Twenty, “Unwell”

    Whereas the Billboard charts are crammed right now with songs that brazenly tackle themes associated to psychological well being, matchbox twenty’s “Unwell” arrived at a time when the nationwide dialog surrounding the subject was rather more taboo. It resonated then to the tune of a No. 5 excessive on the Scorching 100, and works simply as effectively in 2023, mastering an artwork that so many have come to follow since: wrapping an easygoing, radio-friendly guitar lick tightly round poignant lyricism worthy of dissection on a granular stage. — J.G. 

  • The Strokes, “12:51”

    Two years and one album into being the good band in America, The Strokes already appeared like they have been craving for easier occasions with sophomore set Room on Fireplace‘s lead single “12:51.” An anthem for going out (or not) and hooking up, the tune has a younger, carefree, nearly small-town innocence to it (“Oh actually, your of us are away now?/ All proper, I’m coming”) that feels extra like a nostalgic nation throwback than a CBGB’s crowd-pleaser — although the processed guitar hook and refrain handclaps does nonetheless make it sound like a misplaced gem from Blondie’s Parallel Strains. — A.U.

  • Junior Senior, “Transfer Your Toes”

    It’s unimaginable to not, effectively, transfer your toes when this sunshiny Junior Senior single performs. This tune got here fully out of nowhere from the rookie Danish pop duo, with its stuttering lyrics, chiming disco manufacturing and pixelated music video all main to 1 massive musical smile. Simply put this file on and, with out fail, “all your troubles are lifeless and gone.” – Ok.A.

  • Jet, “Are You Gonna Be My Woman?”

    The bass riff for Jet’s “Are You Gonna Be My Woman?” stays some of the recognizable intros to an ’00s rock tune, akin to The White Stripes’ “Seven Nation Military.” The Australian rockers took inspiration from the enduring sounds of Motown greats like The Supremes for the rhythm and modernized the monitor with a pre-chorus punctuated by flooring toms, and an anthemic refrain that screams the titular query. The monitor was taken to new heights in 2004 after Apple featured the jam in one of many firm’s iconic silhouette adverts for iPods, which have been fashionable digital media…you know what, by no means thoughts. Some issues don’t stand the check of time fairly in addition to “Are You Gonna Be My Woman?” — T.M.

  • Ludacris feat. Shawnna, “Stand Up”

    Ludacris
    Picture Credit score: Courtesy Photograph

    Ludacris had your complete world in his call-and-response grip by summer time 2003, and “Stand Up” — his first single to high the Scorching 100 — was a convincing demonstration of his accrued energy. Helps to have a Bedrock-shaking Kanye West manufacturing and a sticky back-and-forth chorus with co-star Shawnna, however as common with the younger man named ‘Cris, the wordplay prowess comes first and most: a mind-boggling assemblage of unforgettable lyrics, from side-splitting couplets (“I’m lit, and I don’t care what nobody thinks/ However the place the f–okay is the waitress at WITH MY DRINK??“) to single-word hooks (“Bucksss-ahh,” “cooorrrrrdinate,” “BLAUGH!!“) that stay simply as quotable a long time later. “Identical to that,” Luda insists on the refrain, as if it’s that simple for everybody. — A.U.

  • Britney Spears feat. Madonna, “Me In opposition to the Music”

    The Queen and Princess of Pop made headlines in August 2003 with their notorious onstage kiss on the MTV VMAs, and so they stored the excitement going only a few months later with their steamy Within the Zone collaboration, “Me In opposition to the Music.” As anticipated from the Royals of high 40, the frisky, upbeat monitor got here alongside a sultry, choreography-heavy music video that distinguished Spears because the dancer of her era. The tune underwhelmed on the Scorching 100 on the time, peaking at No. 35 — however 20 years later, the tune nonetheless encourages club-goers to “seize a associate, take it down” each time it performs by means of the audio system. — R.A.

  • Evanescence feat. Paul McCoy, “Carry Me to Life”


    For as many memorable moments as “Carry Me to Life” boasts, from the extremely dramatic refrain to the operatic bridge to Paul McCoy’s pummeling rap-rock bridge, nothing can high that opening couplet from Amy Lee — “How will you see into my eyes / Like open doorways?” — particularly for these of us who bear in mind when Evanescence’s debut single was unleashed in 2003. In a male-dominated rock panorama, Lee’s crystalline voice was a shock to the system: Nothing on different radio (and, ultimately, pop radio) sounded remotely near it, a piercing outlier segueing right into a sturdy anthem that matched its depth. As quickly as these first phrases have been uttered, “Carry Me to Life” turned a wake-up name, signaling each an unlimited crossover hit and a much-needed change of tempo. — J. Lipshutz

  • Pharrell feat. Jay-Z, “Frontin'”

    Summer time 2003 was in for a deal with when Pharrell and Jay-Z related for the previous’s debut solo single, “Frontin’.” Initially written for Prince, The Neptunes-produced pop tune noticed Pharrell channeling the Purple One himself by means of high-pitched singing about placing up a facade to impress a lady. Not solely did “Frontin’” peak at No. 5 on the Scorching 100 chart that 12 months, however its streetwear-clad music video additionally stays well-known for its trend affect, introducing the world to Pharrell’s now-20-year-old clothes model, Billionaire Boys Membership. — CYDNEY LEE

  • Alicia Keys, “You Do not Know My Title”

    Alicia Keys eloquently captured the hopeful daydreams, periodic angst and will I/shouldn’t I deliberations that include an unrequited crush with this No. 3 Scorching 100 hit. Co-written/co-produced by Keys and Kanye “Ye” West, the spare midtempo monitor poignantly underscores the emotional lyrics: “Doin’ greater than I’ve ever finished for anybody’s consideration / Take discover of what’s in entrance of you / ‘Trigger did I point out, you’re ‘bout to overlook a great factor?” Nevertheless it’s Keys’ plaintive oohs on the chorus that zero in on the guts of the matter. With this lead single from The Diary of Alicia Keys, the singer-songwriter sidestepped the proverbial sophomore jinx and later gained the Grammy for greatest R&B tune. — G.M.

  • Audioslave, “Like a Stone”

    Audioslave
    Picture Credit score: Courtesy Photograph

    The supergroup’s goosebump-inducing second single proved that the band had endurance, peaking at No. 31 on the Scorching 100, and ultimately racking up over one billion YouTube streams. The haunting melody and lyrics may make it sound like a love tune — with traces like “In your own home, I lengthy to be/ Room by room, patiently/ I’ll look forward to you there,” even bassist Tim Commerford has stated he thought it was a story of romance — however Cornell clarified it’s about dying. “It’s just a few man sitting in a resort room considering dying and what it means and all of the completely different prospects of that,” the singer shared in an interview. Contemplating that the Soundgarden frontman would go on to die alone in a resort room 14 years later? Shivers. — A.C.

  • Ye, “By the Wire”

    Have been we ever so younger? Was he? The artist previously often called Kanye West broke out in entrance of the mic for the primary time with late 2003’s exultant “By the Wire,” an origin story that principally caught you up on Ye to that time — the Chi-town roots, the Roc-a-Fella deal, the game-changing intentions and most of all, the horrific 2002 automotive accident that compelled him to rap his debut single with the titular oral obstacle. Pushed on by the chipmunk gospel of a sped-up Chaka Khan pattern, the rapper-producer sounded for all of the world like the last word underdog champion, the type of man you’d all the time wish to root for, turning tragedy to triumph and making music that’s fireplace. Everyone knows how that turned out — however 20 years later, you’d be stunned how simple it nonetheless is to take heed to “Wire” and faux that we don’t. — A.U.

  • Coldplay, “Clocks”

    Very similar to the arms of a clock itself, this immaculate single‘s anchoring piano melody whirs in circles across the listener’s head as Chris Martin grapples with time’s perpetual march ahead. It’s nonetheless as simple to get starry-eyed amid the sonic fantastic thing about its cascading piano riff and gently chugging bass riff now because it was then, with croons of “Youuuuuu aaaaaaaare” rolling in like waves of bliss — after which subsequently sobered by Martin’s chilling lyricism: “Am I a part of the remedy?/ Or am I a part of the illness?” — J.G.

  • Justin Timberlake, “Rock Your Physique”

    The Timbaland-produced “Cry Me a River” introduced *NSYNC’s breakout heartthrob to No. 3 on the Scorching 100 in 2002, nevertheless it took the Neptunes-helmed follow-up single “Rock Your Physique” to really quell the ocean of suspicious eye-rolls that greeted Mr. JT’s solo profession. Peaking at No. 5 however remaining on the chart longer than “River,” the slinking disco strutter “Physique” demonstrated that Timberlake may, like his profession icon MJ, casually bump a midtempo groove into the stratosphere with out breaking a sweat. — J. Lynch

  • Kelis, “Milkshake”

    The Neptunes initially provided “Milkshake” to Britney Spears, and whereas its crunchy membership manufacturing definitely matches the temper of her 2003 LP Within the Zone, it’s laborious to think about anybody proudly owning the tune extra successfully than Tasty-era Kelis. The singer brings bawdy sexual bravado (“rattling proper, it’s higher than yours”) and pure perspective to the shuffling-and-popping monitor — making even her wordless “la-la, la-la-la” chant suggestive, and elevating what may have been throwaway pop to a euphemistic sexual liberation anthem for the ultra-low-cut denims period. — Ok.B.

  • Johnny Money, “Damage”

    Johnny Cash "Hurt"
    Picture Credit score: Courtesy Photograph

    To say that septuagenarian nation icon Johnny Money’s 9 Inch Nails cowl felt misplaced amidst the popular culture of 2003 — nominated for greatest video on the VMAs alongside Justin Timberlake, 50 Cent, Missy Elliott and Eminem — would in fact be a dramatic understatement. However that’s simply how simple the facility of “Damage” was, a closing assertion of kinds from some of the towering musical figures of the twentieth century’s again half, who would die of problems from diabetes that September. As unnerving as Trent Reznor’s unique was, listening to lyrics like “You’re another person/ I’m nonetheless proper right here” from a one-time peer of Elvis who was now sharing airtime with John Mayer gave it unthinkable new ranges of resonance. Because the pounding piano of the Rick Rubin manufacturing grows louder and louder and Money warbles, “If I may begin once more/ one million miles away,” it’s nearly an excessive amount of to bear — however there’s a merciful peace within the a cappella decision: “I might discover a manner.” — A.U.

  • Sean Paul, “Get Busy”

    Sean Paul "Get Busy/Like Glue"
    Picture Credit score: Courtesy Photograph

    In 2003 Jamaican dancehall rightfully bought its breakout second within the U.S. through two island natives, Sean Paul and producer Steven Marsden. Collectively, the pair gifted terrestrial radio the merely simple “Get Busy,” a shining instance of dancehall’s Diwali riddim — comprised of syncopated handclaps and the hypnotic sound historically performed throughout Punjabi Giddha dances — which Marsden was then pioneering. As crucially, it additionally options Sean Paul simply itemizing a bunch of women’ names (Miss Kana Kana, Miss Annabella, Donna Donna) and instructing them to shake that booty non cease when the beat drops. With a stream like that, who may deny him? — Ok.B.

  • The Postal Service, “Such Nice Heights”

    The Postal Service "Such Great Heights"
    Picture Credit score: Courtesy Photograph

    It’s laborious to think about a time when the sanguine beeps-and-boops opening to The Postal Service’s debut single wasn’t completely branded on our brains — however this early offshoot of indie, emo and synth pop was an against-the-odds hit when it was launched in January 2003 on the revered indie label Sub Pop. “Such Nice Heights” spent months crawling its manner throughout popular culture because of its surprisingly broad musical enchantment, it’s lyrical celebration of latest romance and its inclusion on the soundtrack of the 2004 movie Backyard State (in a brand new model coated by Iron and Wine). The tune’s regular climb would ultimately land it the No. 27 spot on Rolling Stone’s 100 Greatest Songs of the Decade listing, but additionally bought the duo in sizzling water: In 2004, the precise U.S. Postal Service despatched Gibbard and crew a stop and desist letter over the group’s title, although they might later drop the matter. — D.B.

  • Lil Jon & The East Facet Boyz feat. Ying Yang Twins, “Get Low”

    Lil Jon & The East Side Boyz "Get Low (feat. Ying Yang Twins)"
    Picture Credit score: Courtesy Photograph

    “To the windooowww, to the wall!” Lil Jon and The East Facet Boyz introduced crunk music mainstream with their Ying Yang Twins-assisted “Get Low.” The hip-hop subgenre emerged within the South within the early ’90s and was popularized within the 2000s, thanks largely to the artists right here. With its up-tempo rhythm, extreme shouting and aggressive supply, “Get Low” reached No. 11 on Billboard’s 12 months-Finish Scorching 100 for 2003 and maintains its standing as an authorized membership banger. Regardless of its twerk-encouraging lyrics, over time, the monitor has additionally turn into a staple tune selection at Black gatherings, from weddings to cookouts and the whole lot in between. — C.L.

  • Fountains of Wayne, “Stacy’s Mother”

    Fountains of Wayne "Stacy's Mom"
    Picture Credit score: Courtesy Photograph

    Songs didn’t come rather more infectious in 2003 than “Stacy’s Mother,” a slice of power-pop heaven that turned Fountains of Wayne’s solely mainstream hit (and a tune that co-writer Chris Collingwood later stated he regretted recording as a result of it overshadowed the band’s extra severe materials). It’s a easy story: Woman likes boy, boy prefers lady’s divorced mother — who, on this case, is a scantily clad MILF performed by New Zealand supermodel Rachel Hunter. With its staccato Vehicles-like guitar riff, hand claps, layered vocals and simple refrain, Stacy’s mother isn’t the one one who has it happening: To not deny Collingwood his emotions, however most bands would promote out their very own moms to have a tune that resonated with so many individuals and made them smile and sing each rattling time it comes on the radio, even 20 years later. — M.N.

  • Christina Aguilera, “Fighter”

    Christina Aguilera "Fighter"
    Picture Credit score: Courtesy Photograph

    Within the early 2000s, being a pop star nonetheless tended to imply sticking to 1 specific sound, not less than for a full album cycle. That was not one thing Christina Aguilera may abide — for her 2002 album Stripped, the “Genie in a Bottle” singer jumped between sentimental pop ballads, feminist hip-hop anthems and, within the case of third single “Fighter,” rock songs devoted to nobody however herself. The tune’s daring guitars and clashing drums introduced a brand new taste to the pop diva’s discography, however by no means took away from the true star of the monitor: Xtina’s singular voice. On “Fighter,” all of the vocal growls and cries really feel earned by means of the sheer grit of what’s being sung — and it’s a part of why this ode to the self stands as certainly one of Aguilera’s greatest songs to this point. — S.D.

  • 50 Cent, “In da Membership”

    50 Cent "In Da Club"
    Picture Credit score: Courtesy Photograph

    A lot of fifty Cent’s origin story entails unspeakable violence — the file studio stabbing, the capturing exterior of his home, the dissolved label deal on account of continued threats — and the beat for “In Da Membership,” courtesy of Mike Elizondo and 50’s mentor Dr. Dre, is full of a way of grandiose hazard, all high-wire strings and tingly rhythms. But within the context of fifty Cent’s ascent to the highest of the Scorching 100 (the place “In Da Membership” spent 9 weeks) and the top of economic success (with mega-selling debut album Get Wealthy or Die Tryin’), the tune is a celebration: he raps about becoming a member of rap’s elite, experiencing nightlife and not using a care, about intercourse and medicines, about partying prefer it’s your birthday. The beat remains to be scorching-hot 20 years later, however that rigidity between topic and sound — toasting to the nice life, with a sense of menace all the time lurking beneath — is what makes “In Da Membership” a very timeless basic. — J. Lipshutz

  • The White Stripes, “Seven Nation Military”

    The White Stripes "Seven Nation Army"
    Picture Credit score: Courtesy Photograph

    “Seven Nation Military” couldn’t have come out in 2003. The White Stripes’ unrelenting signature tune looks as if it’s been the backdrop to bases-loaded at-bats, tense political protests, and flashy commercials for the reason that daybreak of time — since earlier than the twenty first century, not less than. It’s folks music now, a melody that has transcended the circumstances of its recording and launch. However stripping again what “Seven Nation Military” turned reveals easy, cathartic class. As Jack and Meg White expanded previous their most inflexible sonic strictures on their fourth album, Elephant, the simplicity of the set’s opening tune captured what made the duo so particular within the first place: Jack’s iconic pitched-down guitar riff and elliptically ominous lyrics, Meg’s lonely drum thump, the duo’s drive from simmering boil to caustic climax. These fundamentals opened the door for “Seven Nation Military” to attain anthemic ubiquity. “I’m certain many individuals [who] are chanting the melody do not know what the tune is or the place it got here from,” Jack informed Conan O’Brien in 2022. “It doesn’t matter anymore – and that’s simply superb.” — E.R.B.

  • OutKast, “Hey Ya!”

    Outkast "Hey Ya!"
    Picture Credit score: Courtesy Photograph

    After a near-decade of rap domination, Outkast’s Andre 3000 proved what he may do if he set his sights on power-pop as a substitute — creating this immediately infectious, nine-week Scorching 100 No. 1, a tune that each critics and followers adored for its multi-layered manufacturing and call-and-response lyrics. To today, it’s an all-ages marriage ceremony dancefloor filler, feeling equal components basic (thanks partly to its Ed Sullivan Present-referencing music video) and of its time (that Charlie’s Angels/“Unbiased Ladies Half 1” call-out to Beyoncé and Lucy Liu). The tune was so impactful, actually, that it briefly introduced the beleaguered Polaroid firm out of its 2001 chapter submitting, because of Andre’s emphatic “shake it like a Polaroid image!” instruction. If anybody was unsure, this simple hit – universally interesting however not sacrificing Andre’s signature eccentricity – cemented Outkast’s genre- and generation-spanning musical genius. – Ok.A

  • Beyoncé feat. Jay-Z, “Loopy in Love”

    Beyoncé ft. JAY Z "Crazy In Love"
    Picture Credit score: Courtesy Photograph

    “You prepared?” The world definitely wasn’t when Beyoncé broke out from Future’s Youngster to ship what would turn into certainly one of essentially the most iconic collabs in pop music historical past. The victorious horn line – borrowed from The Chi Lites’ 1970 monitor “Are You My Girl (Inform Me So)” – units up Bey’s deliciously delirious antics, and the irresistible oh-oh, oh-oh, oh-oh, oh-no-no chorus and impassioned runs showcase her vocal expertise when she stands on her personal. However her future husband Jay-Z sealed the deal by delivering his visitor verse within the eleventh hour, boasting, “Historical past within the making, half two!” (following their “’03 Bonnie and Clyde” collab the earlier 12 months) — and it’s undeniably turn into one for the books. “Loopy in Love” not solely marked Beyoncé’s grandiose, chart-topping introduction as a solo celebrity, however additionally foreshadowed a prodigious love story between two of essentially the most highly effective artists of this century — one which’s nonetheless being written 20 years latter. — H.M.



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